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Glidecam VistaTrack 10-48 Slider Dolly Review
Slider dollies are quickly becoming the support accessory to own if you’re a budding cinematographer. We no longer have to haul heavy track and dolly systems around to add...
Using an External Preview Monitor
Have you ever finished the final cut of a video, burned it to Blu-ray or DVD and watched it on a big screen only to see a problem that...
Getting Great Video From a Mobile Phone
We live in interesting times. Gone are the days when moviemaking requires enormous amount of fundraising and massive equipment budgets. While it's true that these things certainly help, the...
GenArts Sapphire 7 Visual Effects Software
Ever need an old-fashioned, scratched-up film effect? How about a beauty filter that would selectively soften only skin-tones? GenArts Sapphire 7 is a great package that accomplishes that and...
DJI Innovations Phantom Quadcopter Review
Have you ever dreamed about getting into aerial videography but were daunted by the complexity and high cost? DJI Innovations’ Phantom quadcopter, with its simple operation and comparatively low...
Latest Posts
NewTek announces the new powerful TriCaster 2 Elite
NewTek has announced a new live video production system: TriCaster 2 Elite. NewTek said it could be the “most powerful"video production system ever made.
5 easy steps to starting a podcast
In recent years, podcast listenership has grown tremendously. More and more people are tuning in to hear their favorite podcasters talk about...
Making a career as an editor
Today we are talking about editing. Here with us is Sven Pape, an ACE award-nominated editor who has worked with James Cameron, James Franco, and Joseph Gordon-Levitt. He runs his own YouTube channel, This Guy Edits, where he dives into various aspects of editing, from how to make a career as an editor to the dos and don’ts of editing.
The power of CFexpress is unmatched
When you choose SanDisk, you are choosing one of the trusted leaders in the memory card industry. We can see just that...
Atomos and Z CAM release 5.8K for all Z CAM E2 cameras
Atomos and Z CAM have enabled 12-bit 5.8K Apple ProRes RAW over HDMI recording on the Ninja V and the Z CAM E2-F6, E2-F8 and E2-S6 cinema cameras.
