Sound design constructs the auditory landscape of production, including everything from dialogue to music to natural noises.
Operating at the core of their films' sound department, boom operators play a critical role, often making or breaking audio recordings.
Though having been used for decades in cinema, many aspiring videographers don't know the origins of the Wilhelm scream.
ADR is a common process is filmmaking. So, what in ADR, and is it a "magic bullet" for post-production video editors?
Phantom power is one of the methods professional videographers use to supply power to their condenser microphones.
The term "frequency response" is quite common in the audio space, but admittedly it will take some explaining to those new to it.
If you are trying to choose between a flanger or phaser when mixing audio, you first need to understand what they are and how pros use them.
There is no hiding the fact that, at first, microphone selection is daunting. This article helps you make faster and smarter mic selections.
Sound editing is the vehicle that moves a project's audio from the production to post-production stage. The main difference between sound editing vs. sound mixing is that editing focuses on the production, while mixing takes the edited product and hones it during post-production.
The majority of sound editing takes place...
A new player in audio has emerged to the delight of anyone looking to enhance their streaming content. It’s called spatial sound.
Videographers spend hours using the latest innovations for creating the most impressive video that they can. Audio, however, has played second fiddle through the years, with the now-decades...
