From cinematographers to videographers to vloggers, every kind of video producer has their unique set of needs. However, something all three types of producers need is consistent color across the production process. Accurate and consistent color is crucial, as it helps speed up production and prevents potential retakes due to color issues. Nothing is worse than finishing a video shoot only to find out later that the footage looks inconsistent. This is where the BenQ PVS7 on-camera monitors can help ensure a unified look throughout your production. Let’s explore what these monitors have to offer.
Precise color with AQCOLOR
The BenQ PVS7 on-camera monitors are powered by AQCOLOR. AQCOLOR ensures that the monitor’s colors match industry standards, even in multi-monitor setups, and promises the colors you see on your monitor will be the same in post-production. Additionally, you can use 3D LUT files to apply cinematic color grading or match colors in multi-camera shoots.
Robust input and output options
With the BenQ PVS7, you will have HDMI (PVS7) or SDI (PVS7) in/out support. The benefit of using SDI is that it’s a time-tested connection that offers a cable lock and is great for transmitting uncompressed video signals over long distances. On the other hand, HDMI offers wide compatibility with many devices. The PVS7 also has a 3.5 mm headphone jack, DC in, and an SD card slot for firmware updates and LUT loading.
Shoot assist tools
The on-camera monitors feature several shooting assist tools, such as Focus Assist and Anamorphic De-Squeeze. Additionally, there are three key tools we would like to highlight: Waveform, Zebra, and False Color.
WaveForm
Waveform is a tool for color-correcting and grading footage. It shows the pixel density of the red, green, and blue channels in the footage. So, you can either balance (or adjust) your channels to get the look you’re looking for on location.
Zebra Pattern
Using the Zebra Pattern will help you avoid overexposing your video. It displays diagonal stripes on the parts of the image that are too bright. After seeing these areas, you can adjust your settings on location and avoid dealing with lost detail in post-production.
False Color
False Color is a feature that reads exposure levels in a shot. You can use it to adjust your exposure outside the editing room and make adjustments on set to keep your shots consistent, saving you time in the long run.
Clear display anywhere and everywhere
A common issue videographers encounter when shooting outdoors is screen glare. Avoiding direct sunlight can help, but it can be almost impossible to prevent glare if your screen isn’t bright enough. If you can’t see your screen, it’s challenging to ensure all the footage you’re capturing is consistent. The best way to fix this issue is to use a monitor with a brightness level high enough to be viewable even in direct sunlight. The PVS7 on-camera monitors have a brightness level of 2000 nits, which is more than enough to ensure you don’t have any issues seeing your screen outdoors.
Improving work efficiency
Color consistency is vital for all video producers, and the BenQ PVS7 on-camera monitors offer a comprehensive color ecosystem. Not only will they help you deliver a consistent-looking project, but they can also improve your overall workflow in post-production.
The BenQ PVS7 on-camera monitors are valuable tools for any cinematographer, videographer, or vlogger. They allow for consistent color from shooting to post-production, making your work look professional. You can visit the BenQ website here to learn more about the BenQ PVS7 on-camera monitors.
