Blackmagic Pocket Cinema Camera 6K vs 4K

Blackmagic has given us two amazing cameras with amazing value with the Blackmagic Pocket Cinema Camera 4K and Pocket Cinema Camera 6K. We’re here today to uncover what camera is the better of the two and which one you should buy. We will be showing you footage from both cameras side by side and declaring what camera does it better.

Get the BMPCC 4K Here: https://www.adorama.rfvk.net/j6Qqv

Buy the BMPCC 6K Here: https://www.adorama.rfvk.net/az6qj

Here are bundles for them:
[6k Bundle] https://www.adorama.rfvk.net/9aa7Q
[4K Bundle] https://www.adorama.rfvk.net/aQQMQ

Lenses for the BMPCC 4K:
Best still MFT:
-Panasonic Lumix G Leica DG Summilux 12mm f/1.4 ASPH
-Olympus M. Zuiko Digital ED 17mm f/1.2 Pro
-Olympus M. Zuiko Digital ED 25mm f/1.2 PRO
-Olympus M. Zuiko Digital ED 45mm f/1.2 Pro
-Olympus M. Zuiko Digital ED 7-14mm f2.8 Pro
-Panasonic Lumix G X Vario 12-35mm F/2.8 II Aspherical Power O.I.S.

Best still EF Lenses BMPCC 6K or 4K with speed booster:
Canon EF 24mm f/1.4L II USM
Rokinon SP 35mm F1.2
Canon EF 50mm f/1.2L USM
Canon EF 85mm f/1.2L II USM
Canon EF 24-70mm f/2.8L II USM
Canon EF 16-35mm f/2.8L III USM

Manual focus and off-brand still MFT for the BMPCC 4K:
-Panasonic Lumix G Leica DG 12mm f/1.4 ASP
-Olympus M. Zuiko Digital ED 25mm f/1.2 PRO
-Mitakon Zhongyi 42.5mm f/1.2
-Olympus M. Zuiko Digital ED 17mm f/1.2 Pro
-Olympus M. Zuiko Digital ED 12-40mm f/2.8 Pro
-Olympus M. Zuiko Digital ED 7-14mm f2.8 Pro

Manual focus and off-brand still EF BMPCC 6K or 4K with speed booster:
-Samyang 24mm f/1.4 ED AS UMC
-Rokinon SP 35mm F1.2
-Rokinon SP 50mm F1.2
-Mitakon Zhongyi 85mm f/1.2
-Tokina 24-70mm F/2.8 AT-X Pro FX
-Tamron 17-35mm f/2.8 Di OSD
-Metabones Canon EF Lens to Micro Four Thirds Camera Adapter, T CINE Speed – – – Booster ULTRA 0.71x

Did you find this article helpful?

2 COMMENTS

  1. Chris, it’s hard making a video where you essentially say “There’s no real difference between these cameras.” But you did a good job.

    I’m seriously mulling over the issue of adapting to EF with a MB speedbooster (4k) or having native EF (6k).

    The main problem is that adapters soften the look. On top of that, you can shoot in 4k on the 6k sensor, getting a detail boost for the BMPCC 6K. And you end up using EF lenses either way.

    To be honest, I don’t know why anyone would buy a 4k in 2020, unless they had a shelf full of micro 4/3rds lenses. 4k+Metabones speed booster is nearly as much as a 6k in mid 2020.