MAGIX Movie Edit Pro 17 Plus Introductory Editing Software Reviewed

MAGIX Movie Edit Pro 17 packs an impressive punch for a $60 video editing tool, with the Plus version for $100 adding even more sophisticated features including effects masks, MultiCam editing, and Dolby Digital 5.1 mixing – plus stereo 3D editing with photos and video.

This is serious video editing – Movie Edit Pro provides deep support for the latest technologies and devices. It supports direct import from portable devices and HD camcorders (including native AVCHD), editing with extensive transitions and effects, and audio dubbing, and then export to portable devices, online, and to DVD and Blu-ray with animated menus.

Editing Interface

Movie Edit Pro is not an “E-Z” consumer application. It’s is designed very much in the style of traditional video editing tools, with the main program monitor for viewing clips, tabbed windows to Import your media and access Fades (transitions), Titles, and Effects, and then the Storyboard/Timeline strip below. You also can customize the interface windows and save favorite layouts.


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Movie Edit Pro provides three editing modes: scene overview mode shows thumbnails of the first track to quickly re-order your scenes, Storyboard mode shows thumbnails with transitions and controls for editing, and Timeline mode is for full multi-track editing, with up to 32 tracks in Movie Edit Pro, and up to 99 in the Plus version. The tracks are not limited to specific uses (video or audio to titles); instead you can place any object in any track.

The Movie Edit Pro interface does a good job of controlling the underlying complexity of all these features, avoiding arrays of tiny buttons while still providing straightforward click and drag editing with larger icons. The interface also makes use of pop-up tooltips and text in the status bar to help describe the different tools. The next level of capabilities, including 3D viewing and editing, is then available through the menu bar and right-click menu options.

Movie Edit Pro also does not hide editing details. For example, it does not require you to pre-select a project format, but will warn you when importing a clip at higher resolution than your current project and offer to automatically adjust the project settings. And it will prompt to warn you when trying to preview a movie at high resolution, and offer to preview at half-res for better performance.

Into 3D

If that’s not enough, the Plus version of Movie Edit Pro 17 also adds 3D editing, import, and export, complete with 3D transitions and titles.

You can import content from 3D devices including the Fujifilm FinePix Real 3D W3 digital camera, which shoots 3D still photos up to 3648 x 2736 resolution in MPO format (Multi-Picture Object) and 3D videos up to HD 1280 x 720 at 24 frames/sec. in AVI format ($599 list, around $449 street).

And you can use other techniques to shoot 3D imagery, including using two cameras on a stereo mount, shooting two photos with the same camera from slightly different angles, and carefully shooting video pans and then duplicating the footage with a small time offset to turn the camera movement into stereo. You then can import the 3D material into Movie Edit Pro and use the stereo 3D effects to specify the format (i.e. side by side at half/full width or stereo pairs), as well as adjust the stereo alignment (horizontal, vertical, and rotation).

To display your 3D imagery while editing, Movie Edit Pro supports several playback modes to preview your movie, depending on your monitor’s technology: polarizing filter for passive glasses, active shutter mode (i.e. for the NVIDIA 3D Vision system), and color anaglyph for viewing on standard monitors with red/cyan glasses.

When you finish editing, you can export your 3D movie as usual: save to a movie file to play on your PC, upload to share online, or burn to DVD or Blu-ray disc. Movie Edit Pro supports output in anaglyph format for viewing on any standard display to TV, and in side-by-side format for appropriately enabled display devices. Since 3D formats can vary, Movie Edit Pro provides the controls in the export dialogs to specify the output format, resolution, and aspect ratio as required for the target display.

Digging Deeper

But the depth in MAGIX Movie Edit Pro 17 is more than 3D, it’s in the astounding array of features and options that you can uncover in the menus, under the fairly conventional (albeit sometimes idiosyncratic) video editing interface. The main interface has buttons for the three basic modes (Edit, Burn, Export), but the Tasks menu then has eight categories, each with up to six nested tasks, and plus the Edit menu adds four Wizards: Slideshow Maker, Soundtrack Maker, plus the new Travel route animation – showing the path of your vacation trip as a vehicle on a map. And even the Online menu has five options, including the MAGIX Online World for shared websites, CATOOH online media market, MAGIX online album, and upload to YouTube / Vimeo / Facebook.

For more options, the right-click menus can have 15 to 20 entries (plus pop-out sub-entries). And the Program Settings dialog has six tabs with an astounding profusion of options, including audio and video playback optimization, direct control over eight folders used for storage, 20-some options for video and audio processing, system configuration, templates for arranging the application window display, and video display hardware acceleration options. Whew!

Oh, and for deeper video work there are features including primary and secondary color correction, keyframe animated effect masks, ad search and removal, and batch import and conversion. And for detailed audio work there’s an Audio Mixer for detailed audio editing, live mixing with a mouse or MIDI controller, automatic beat detection, and extended audio enhancement and cleaning effects, and ProDAD plug-in support.

MAGIX also has bundled additional tools for working with 3D, including the proDAD Heroglyph Rapid 3D title and text editor and Reallusion iClone for 3D character and even scene animation. Yeesh!

Depth Charge

The bottom line is that MAGIX Movie Edit Pro 17 (regular and Plus) is an impressively powerful video editing tool that’s stuffed with deep technology at consumer pricing. The interface is responsive and not overwhelming, although the performance was a bit sluggish and stuttered a bit on 3D HD material.

Just be clear that Movie Edit Pro is not for easy entry into video editing; it’s for people who want to dig in and do fun and amazing work. Working with Movie Edit Pro is something of exploration process, as you need to keep digging in the menus – and dialogs and wizards and Help file – to first find, and then explore and try to understand new features. The program does include a few introductory videos to help get you started, and the Help file does provide some overview material, but it’s left to the user to work out the step-by-step process, based on the sometimes confusing terminology.

But for people who want to explore and grow their movie making skills, Movie Edit Pro should keep you occupied and exploring for quite a while. MAGIX offers a trial download of the Plus version so see for yourself how it could work for you.

Tech Specs

Minimum system requirements: Intel Core Duo with 1.83 GHz, AMD Dual-Core with 2.0 GHz, 1 GB RAM, 1 GB hard disk memory for program installation, multi-channel sound card recommended for Surround sound editing.

Minimum requirements for AVCHD/HD editing: Intel Core 2 quad processor with 2.83 GHz (Intel Core i7 recommended), 4 GB RAM, DirectX 9.0c-compatible graphics card, min. 512 MB graphics card RAM and Pixelshader 2.0, ATI X300 and up, NVIDIA GeForce 6600 and up, Blu-ray burner for creating Blu-ray Discs.

Supported devices: IEEE1394/FireWire/DV/i.Link interface for use with DV/HDV camcorders, USB camcorder (DVD/hard disk/memory card) and web cams, VfW or DirectShow-compatible video, TV or graphics card with video input, WDM-compatible TV tuner cards, DirectX 9 and BDA driver compatible DVB-T/S tuner cards, Blu-ray, DVD-R/RW, DVD+R/RW, DVD-RAM or CD-R/RW burner.

Supported import formats:

Video: AVI, DV-AVI, MPEG-1, MPEG-2, MPEG-4, MTS, M2TS, MXV, MJPEG, QuickTime, WMV(HD), MKV


Images: JPEG, BMP, GIF, TIF, TGA, supports scanners and digital cameras.
Supported export formats:

Video: AVI, DV-AVI, MJPEG, MPEG-1, MPEG-2, MPEG-4, QuickTime, WMV(HD)

Audio: WAV, MP3

Images: JPEG, BMP

Supported file extensions (import): .avi, .dat, .evo, .m2v, .m1v, .h264, .mpv, .mpg, .mpeg, .mpg2, .mps, .mp2, .mpe, .m2s, .vdr, .vob, .mod, .vro, .ts, .trp, .tp, .m2t, .mpt, .mmv, .m2ts, .mts, .tod, .mov, .mp4, .dvr-ms, .asf, .pva, .mp4, .mpeg4, .mpeg-4, .m4v, .3gp, .3g2


  • Deep and flexible video editing capabilities, including HD
  • Extensive audio and music editing features
  • Unique features including Travel route animation
  • 3D video and photo editing (Plus version), with 3D transitions and titles
  • 3D import and alignment from 2D material


  • Stuffed with features, but need to search to find and understand
  • Uneven Help for understanding how to use features
  • Plethora of bundled tools, separate and not integrated
  • Playback can stutter with 3D HD material


MAGIX Movie Edit Pro 17 is an impressively powerful video editing tool that’s stuffed with technology at consumer pricing.


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Doug Dixon covers digital media at

The Videomaker Editors are dedicated to bringing you the information you need to produce and share better video.


  1. I use this software and the DVD burn doesn’t work. Over there at Magix I have been unable to get any answer other than another person saying they have the same problem.

    Here is the link to my video identifying the problem.

    Here is the other persons comment on this same problem.

    I bought Movie Edit Pro 17 a couple of weeks ago, and I’ve been going through a lot of pain trying to burn a pretty simple DVD with video files (avi) and photos (jpg). I agree with you; no program shoud be this hard to get it to work properly. And I find it disgusting that you have to pay for customer support, which I refuse to do.

    Item 1: The message about ranges without image or movie: I guessed what you guessed, that it’s the space between fades. I cannot even get rid of them. I go back to the Storyboard and choose “No fade” in order to get rid of the blank space, but the program won’t do it. So, I just click “Ignore”.

    Item 2: Should the existing ……VOB file be used. I guess it’s a file the program creates as it’s about to burn a DVD, and it’s probably the one it had created when it crashed last. I choose “Encode all”, assuming the program is going to encode (I’m guessing that’s “create”) everything from scratch.

    Item 3: The aborted burn. I was trying to use an animated DVD menu. I finally had success burning a DVD when I removed the Sound/Music and Video in the “Design Page” section of the Edit tab of the Burn menu. I guess what this means is “don’t use animated DVD menu tamplates, use only the static DVD menu templates”.

  2. I enjoyed this article. It was nice to see the media taking notice of this powerful yet inexpensive software. I have been using it since version 12, and am currently using 15-plus. Why haven’t I upgraded? Like most people, I haven’t yet jumped on the 3D bandwagon.

    In addition to the official Magix forum, there’s another forum you can try:

    I had tried the official forum previously, but this MEP Users Group at Ning was much more helpful.

    Sorry I don’t have much in the way of suggestions for the DVD burning issue… I have had issues in the past with burning DVDs from the Windows burning software too. Perhaps it’s a driver problem?

    Part of what you’re paying for with the more expensive editing programs is that customer support. The additional $300-$500 in the purchase price is paying some dude to answer phones and emails.

    Brian McGovern

  3. Hi,
    If you need more, Magix give to you so much in the version 17 plus is near a Pro level version. Probably users looking for more than one track product or users focusing on price of $100 for a good product is the best product.
    Learning curve is intermediate more functions need more time to learn and use; the software look and has structure of a commercial software not the fancy buttons, frames and screens.
    If you are ready to use something more powerfull Magix is the solution.

  4. I have used this and other ‘Magix’ software, for some time,
    beginning with their ‘Video-Studio Pro 1.5’. I use ‘Movie-Edit Pro17Plus’ a lot these days, because I can no longer afford to keep up with recent ‘Pro’ developments, in these budget-conscious times.

    In deference to your other contributors, and the problems being experienced with the ‘Burning’ process, I am afraid I cannot help, as all of my stuff, once rendered, goes into TMPGEnc software for further treatment as a matter of routine.
    However, for those experiencing difficulties, I would recommend taking a really critical look at the state of your computer, both features-wise and in terms of regular maintenance sessions. ‘Movie Edit Pro17 Plus’ offers an amazing array of features, but realistically, they are for a modern computer with more than ‘home-computer grunt’. There are work-arounds and partial solutions on-offer in ‘MEP17’, such as setting the monitor screen to a lower levels of definition, for example. (I’m pleased to see that in the most recent release of this software, ‘mpg2’ files now display correctly, and no-longer as both interlaces side-by-side).

    On my eight-year-old computer with a single-core AMD Athlon 2.6gHz CPU, I experience no great difficulties with mpg2 and other formats; but it wouldn’t look-near any 1920 x 1080 native-format editing, any more than I would expect it to. In any case, my involvement with ‘full-HD’ has consisted solely of upscaling, and at that, only impeccable 720×576 stuff, which may be actually slightly enhanced in quality if you go the right-way-about it. However, that involves some rather ‘odd-ball’ methods and formats along the way, so we won’t go-there. In any case, it is not being attempted in ‘MEP17Plus’, but ‘elsewhere’.

    In summary, I have used ten, or more different editors in the last few years, getting to where I am today. If you feel the right to be unduly critical of ‘MEP17Plus’ then frankly you would have been aghast at some of my discards’ along-the-way.
    The most amazing thing, is that I don’t know how ‘Magix’ are able to market, at the price they do, a package which lacks very few of the valued ‘Pro’ features we would all aspire to.

    Ian Smith
    Dunedin, New Zealand

  5. I edit every day with Avid Media Composer and I use Magix Video Pro-X 2.5 for my personal projects. Why? Best bang for the buck. Even on my aging Dual Xeon HP workstation it still handles things well. Sure, if I do chromakey with an animated lower third and another overlay in HD it will not play smoothly, but that is just playback. I also hae to say Chromakey is a breeze. Everytime I use it I find there is so much more under the hood.

    That said, there are some things I would probably change to make it “perfect” from my point of view, but they are not big items. There is so much to like and at a great price too.

    Every episode of my show Video QuikTips is edited on Video Pro-X, and my next two documentaries will be as well.

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