Heads and Legs
On most tripods more than $100, the tripod legs can be removed from the head; in fact, many legs and heads are sold separately but are also available as sets. Tripod legs are usually rated for different weights, and you will probably visibly notice the difference between legs made for video and legs made for photos. Other features of the legs you should note before purchasing include maximum and minimum height abilities and stability features including locking mechanisms and spiked feet.
Video Heads Vs. Photo Heads
Just like you can use many still cameras to shoot video, you can use a tripod designed for still photography for video work. A tripod built for video is not necessarily better to use than a photography model. The key is understanding the differences between the two and how they relate to your production workflow.
Video heads on professional tripods typically have fluid in their mechanisms to create smooth movement for pans — moving the camera angle left or right — and tilts — moving the camera angle up or down. Video heads typically come with one or two control arms to make it easy to pan and tilt the camera. There are often drag adjustments that place tension on the pan and tilt controls making them a bit harder to move which can help make the operator's movements smoother. Fluid heads tend to be larger and heavier than photo heads making them not as easily portable.
If you've got a heavy rig and need smooth camera moves, then you definitely should be looking at video tripods.
Gear heads use internal gearing instead of fluid to smooth out their movement and are controlled by hand cranks. One of the advantages to gear heads is numbered settings that are useful on long multi-day shoots. Big budget productions are usually the only place you'll see gear heads used because of their high cost.
One of the only uses for a fluid head in still photography is for shooting panoramas so there isn't a huge demand for them. Photo heads typically only lock in place for pan and tilt adjustments, and ball heads have only a single lock for both pan and tilt. Photo heads tend to be smaller, lighter and cheaper than video heads.
If you want a compact, easy to carry tripod and you’re not panning or tilting while shooting, a photo tripod could work well for you, although recent tripods innovations including carbon fiber components and compact design are giving videographers more choice. If you've got a heavy rig and need smooth camera moves, then you definitely should be looking at video tripods.
Italian For Life
Support For Your Heavy Rig
Carbon Fiber at a Steal
Can't Decide Between a Tripod and a Monopod?
Compact Enough to Fit In a Backpack or Large Purse
Before You Buy
Think about what you'll be shooting and make a list of the features that are important to you. Do you need something lightweight or something very small and compact? Perhaps, you're shooting weddings and need the tallest tripod you can afford to shoot over people in church pews?
Do the math! It's important to consider the capacity loads of each tripod. Long lenses are often as heavy as if not heavier than your camera body. Remember to include these as well as other accessories such as batteries, lights, microphones and hard drives in the equation when calculating your load capacity needs.
Recommendations from friends are always good, but the tripod that works best for a friend may not fit your specific needs. Do your homework to find the tripod that fits your budget and is right for you.
Side Bar: Hello Dolly!
There are several factors to consider when purchasing a dolly. Do the wheels lock? How does your tripod lock into place onto the dolly? Is it a universal dolly or does it only fit specific tripods? Other features include the size of the wheels as well as the material the wheels are made from; this may be one of the most important factors because larger, rubber wheels provide smoother moves as opposed to smaller, caster-type wheels. Prices vary depending on the features.
Davis & Sanford have some of the most reasonable dollies ranging in price from $62.95 for their W3 dolly, which has 3-inch ball bearing rubber and metal wheels with a step-on brake, to $187.95 for their W4DS dolly, which has heavy-duty, 4-inch wide tread rubber wheels with a step-on brake.
Remember, a tripod dolly and some plywood can help a one man crew get that perfect shot.
W. H. Bourne is an award-winning director; her most recent film played at more than 40 film festivals, including international screenings.
