prototype camera

Kodak is working on a Super 8 camera. You’d hardly call that news, except that it’s 2016, and you were expecting the smallest, wearable, self-driving, 8K and spec’d out electronic on a drone. Nope, Kodak is embracing film and launching the Super 8 Revival Initiative. The camera they’re working on will have interchangeable lenses and digital functions, but needs a different ecosystem than we’ve gotten used to. You’ll be looking into film development service and post-production tools for film. Who knows, by next year, you could be physically cutting film.

Kodak's Super 8 Revival Initiative goes beyond a new Super 8 camera, with plans for a range of cameras, film development services and post-production tools. “It is an ecosystem for film” said Jeff Clarke, Eastman Kodak Chief Executive Officer. “Following the 50th anniversary of Super 8, Kodak is providing new opportunities to enjoy and appreciate film as a medium.”camera with a large canister and slanted handle

Many of our most revered producers support the Super 8 Revival Initiative because of the role Super 8 played in seeding their love of filmmaking. Here’s Steven Spielberg: “Had I shot it on a digital camera, the Omaha Beach landings in 'Saving Private Ryan' would have crossed the line for those that found them almost unbearable."

We acknowledge that we want to differentiate reality and story, and more and more people are recognizing authentic quality. Quentin Tarantino says in regards to shooting on film, “you aren’t recording movement, you're taking a series of still pictures and when shown at 24 frames per second through a lightbulb, THAT creates the illusion of movement.” Going to film might be a big deal for us in the digital age, and the impact of such results will rest on the eyes of the audience.


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So until the shipping date comes upon us, J.J. Abrams has this thought on the new Super 8 camera, “this camera appears to be the perfect bridge between the efficiency of the digital world and the warmth and quality of analog."

Kodak has not finalized pricing and availabilty, but early estimates point to fall of 2016 with pricing between $400 to $750.[image:blog_post:59115]

Jackson is a fan of Star Wars, sports, foley, and games of all kinds.


  1. This seems like a big joke to me. I still remember the pain of edit Super 8 films. And what about sound? We now film in 4K or at least HD with automatic recording of the original sound, which can easily be blended in with other sounds or music.
    I will be very surprised if this will be a hit.

  2. Oh, how I remember film. shoot the scene and hope the lighting, sound, and everything else went well. Wait for the film to be developed, reshoot because something was wrong. Buy the film, pay for developing, and always keep your fingers crossed. I just don’t see it happening. No thank you.

  3. Sound is recorded on to SD card on back of camera.
    According to spokesperson at Kodak booth, when they return the processed film back to you, they also provide you a digital copy of your film that you can then sync with the SD audio film recorded during filming. There is a small microphone attached to the top of the camera via mini jack. Audio is recorded digitally; video is recorded analog.

  4. We need to buy film after we have shoot it, we send it in for development. Wait for 2 weeks or so. If everything is ok (and you haven’t overwritten the memorycard, you can now try to synk together the two, and start edit it ON YOU COMPUTER. So what should you do with the film?
    I rather use my AX-33 which record in 4K with sync sound at the same time. I can also us an extra mic that gives better sound if I like.

    This must be the least product I will ever buy for film making. But maybe other see a use for this nonsense? What do you think?

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