What's New
Nikon’s Z5IIC drops the viewfinder to cut size and cost
Nikon's Z5IIC packs the flagship EXPEED 7 processor and 4K 60p into a 19-ounce full-frame body, trading the viewfinder for portability.
Adobe Premiere finally lands on Android
Adobe Premiere is now on Android with a multi-track timeline, 4K export and Firefly AI tools, free with no watermarks.
Canon’s Dual Pixel 3D technology lets you shoot 3D images with your EOS camera
Canon's free Dual Pixel 3D Converter app turns a single EOS photo into a 3D image or an exportable OBJ or GLB model, with no extra hardware.
The Atomos Shinobi 7 II offers camera control and a super-bright seven-inch 2,800-nit screen
The Atomos Shinobi 7 II is a 7-inch HDR monitor with 2,800 nits of brightness, making it the brightest Shinobi yet.
Panasonic shrinks full-frame wide-angle with LUMIX S 20mm
Panasonic's Lumix S 20mm F2.5 packs a bright wide-angle prime into a 5-ounce body with weather sealing and suppressed focus breathing.
Sony’s new 600 mm weighs just 35 ounces
Sony's FE 400mm F4.5 GM and FE 600mm F6.3 GM weigh just 35 ounces each, making them the lightest super-telephoto primes in their class.
Canon’s EOS R8 Mark II shoots 4K 60p oversampled from 6K
Canon's EOS R8 Mark II records 4K 60p oversampled from 6K, adds 7.5 stops of IBIS and ships in the second half of October.
Nanlite introduces bi-color FC1200B and full-color FC-1200C
Nanlite's FC-1200B bi-color light and full-color FC-1200C pack 1,200W into an all-in-one design with no separate power supply.
BenQ launches Creative Pro PV50 4K monitors for video editors and post-production
BenQ's new Creative Pro PV50 series brings two 4K monitors to video editors and colorists, the 32-inch PV3250U plus the 27-inch PV2750U.
Sigma’s 85mm F1.2 Is the first with autofocus for E-mount
E-mount and L-Mount finally get an autofocus 85mm F1.2. Here's what Sigma's new Art prime offers portrait and video shooters.
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Videomaker Plus
Sony's FE 400mm F4.5 GM and FE 600mm F6.3 GM weigh just 35 ounces each, making them the lightest super-telephoto primes in their class.
Canon's EOS R8 Mark II records 4K 60p oversampled from 6K, adds 7.5 stops of IBIS and ships in the second half of October.
Nanlite's FC-1200B bi-color light and full-color FC-1200C pack 1,200W into an all-in-one design with no separate power supply.
BenQ's new Creative Pro PV50 series brings two 4K monitors to video editors and colorists, the 32-inch PV3250U plus the 27-inch PV2750U.
E-mount and L-Mount finally get an autofocus 85mm F1.2. Here's what Sigma's new Art prime offers portrait and video shooters.
