No more clipping: Hands-on review of the TASCAM FR-AV2

Aimed at advanced audio work, the TASCAM FR-AV2 promises high fidelity and robust features in a compact body. But does the FR-AV2 have the specs to justify a purchase for video and audio professionals? With 32-bit float recording, a durable build and a simple LCD display, it seems, on paper, the TASCAM FR-AV2 meets the needs of modern creators. However, we put the FR-AV2 to the test to see if it truly delivers on its promises.

TASCAM FR-AV2 overview

The FR-AV2 packs a range of features for capturing high-quality sound. At $400, it’s on the pricier side compared to similar devices, but it offers several standout capabilities.

Spectacular sound capture

This recorder supports 32-bit float recording with dual Analog-to-Digital Converters (ADCs). This allows for an impressive range of sound capture, supporting up to 192 kHz sample rates. For those who need a lighter file load, it also supports 24-bit recording.

The unit comes equipped with two XLR/TRS combo inputs powered by TASCAM’s Ultra-HDDA preamps, known for low noise and high gain. You can also supply phantom power to one or both channels, which is ideal for condenser microphones like shotgun mics that require power to operate.

Timecodes

When it comes to timecode, the FR-AV2 features both timecode IN/OUT and generation with a high-accuracy temperature-compensated crystal oscillator (TCXO). This is critical for filmmakers needing accurate audio and video sync.

The unit can also wirelessly sync timecodes with the Atomos UltraSync BLUE, which is excellent for multi-camera setups. Bluetooth audio monitoring is available with the optional AK-BT2 adapter, though it costs an additional $60.

Double duty as an audio interface

The FR-AV2 can double as a two-in/two-out USB-C audio interface. Be aware that it only accepts analog inputs and doesn’t support USB microphones. The two-inch color LCD screen is easy to read, though it requires navigation with buttons since it isn’t a touchscreen. Despite lacking a touch interface, the screen provides vital information at a glance.

Media support

FR-AV2 supports SDXC cards up to 512 GB. This allows for up to 397.7 hours of recording at 48 kHz in 32-bit float or 99.4 hours at 192 kHz. The recorder also includes a JamSync function, an auto-save feature and can be powered by either three AA batteries or USB bus power. This flexibility in power sources ensures you won’t be stuck without a charge.

Bluetooth monitoring

When paired with the AK-BT2 adapter, the FR-AV2 enables wireless audio monitoring, though it introduces some latency. You can adjust the latency with three modes: prioritizing stability, audio quality or minimal delay.

While Bluetooth monitoring has slight latency, wired monitoring remains an option for real-time feedback. Wireless monitoring is valuable in some cases, but it might not be for everyone. The adapter is a nice add-on but isn’t necessary.

Auto-save function

The FR-AV2 auto-saves data every 20 seconds, ensuring minimal loss in case of a power failure. This feature is valuable for long sessions, helping to preserve critical audio files and serving as a safety net for professionals. For instance, if a pro is shooting all day on location and their battery runs out, they won’t be left with a corrupt file. They’ll only need to worry about what wasn’t captured, not the entire recording.

More to love

Additional features include a built-in compressor, limiter, low-cut filter and noise gate. For most users recording in 32-bit float, limiting or compressing during capture isn’t necessary, but these options provide more control for those wanting to skip post-production adjustments. The low-cut filter is particularly useful for avoiding low-frequency rumble that can clutter audio. It’s recommended to leave this on unless you need the full frequency range.

Putting the TASCAM FR-AV2 to the test

Audio quality test

Throughout our audio quality testing, the FR-AV2’s preamps excelled in delivering clean, accurate sound. We captured a voiceover at different input levels. Even at the lowest input level of 0.5 dB, the capture was almost inaudible on the meters but remained clean when amplified in post-production. With 26 dB of gain added in post, the signal was noiseless, confirming the preamps’ low noise floor. This means that even if your input level is low, you won’t have to worry about introducing unwanted hiss when boosting the volume in post-production.

32-bit float performance

The recorder’s 32-bit float recording shines when capturing a wide dynamic range without distortion. We tested it with a classic car engine, setting the input to avoid clipping at the loudest point. Using the same input level, we also recorded a whisper through a low-output microphone. In post-production, both the engine and the whisper sounded clean with no added noise. This directly showcases the FR-AV2’s dynamic capture abilities.

Imagine you’re recording dialogue with two characters — one yelling angrily, the other whimpering and crying. With 24-bit or lower, you might not have the dynamic range to capture both effectively. At best, you’d need to constantly adjust the input gain to get a clean recording.

Battery life test

In our battery life tests, the FR-AV2 averaged four to six hours with various AA battery brands. Power draw varied slightly depending on the brand, with a two-hour range in total life. During testing, we found that the battery drains more quickly when using Bluetooth. While this may not be ideal for extended fieldwork, it’s less of an issue when powering the device via USB-C. AA batteries are easy to find worldwide, so even if you run out, replacements should be readily available. However, for longer sessions, powering the FR-AV2 via USB-C is a more reliable option.

Timecode accuracy

Timecodes are invaluable for videographers needing consistent audio and video sync. The FR-AV2’s TCXO ensures precise timecode generation and synchronization, even in challenging conditions, making it highly appealing for professional workflows. It reads, generates and jam-syncs timecode via 3.5 mm in/out connections, ensuring compatibility with DSLR and mirrorless cameras.

Syncing can be difficult or impossible with some recorders. However, after testing the FR-AV2, we found it delivers accurate timecode with ease.

USB-C interface test

Using the USB-C interface is as simple as plugging the device into your computer. The FR-AV2 registers as an input device immediately, providing seamless operation for both field and studio use. This means you can record voiceovers or ADR in the studio without needing to buy a separate I/O device.

Marketplace

Overall, the TASCAM FR-AV2 offers a range of unique features that its competitors don’t. However, it’s important to consider its price. At $400, it’s more expensive than some comparable options. While the TASCAM FR-AV2 is an impressive field recorder, there are more cost-effective alternatives if you’re on a tight budget.

Let’s take a look at some other options on the market. These devices range from direct comparisons to upgraded alternatives.

TASCAM Portacapture X6

The first alternative is another TASCAM product: the TASCAM Portacapture X6. At $260, it offers multitrack recording and a touchscreen interface. It’s best suited for users needing flexible recording setups.

Zoom F3

Another option is the Zoom F3, priced at $300. Known for its 32-bit float recording and compact design, the F3 is a direct competitor to the TASCAM FR-AV2. While it has similar features at a lower price, its build quality isn’t as robust as the TASCAM, making it less durable over time, especially for field use.

Zoom H6

If you’re looking for more inputs, the Zoom H6 is a solid alternative. Priced at $300, the H6 offers multitrack recording but lacks 32-bit float recording. Nevertheless, it’s a reliable choice for complex setups and is frequently used in professional audio environments.

Sony PCM-D10

Next, we have the Sony PCM-D10. The Sony PCM-D10 actually costs more than the TASCAM FR-AV2 and doesn’t offer timecodes or Bluetooth. Still, it provides high-quality capture with three-way adjustable built-in microphones.

Sound Devices MixPre-3 II

The Sound Devices MixPre-3 II is the most expensive alternative, priced at $950. It boasts a high-quality build, excellent preamps and 32-bit float recording. As a higher-end audio recorder, it includes advanced professional features and is highly regarded for its audio quality. However, this comes at the trade-off of a significantly higher price than the marketplace standard.

Is the TASCAM FR-AV2 worth buying?

The TASCAM FR-AV2 is a smart choice for anyone looking to elevate their audio capture. For videographers, it’s a significant improvement over standard DSLR and mirrorless camera microphones. The FR-AV2’s 32-bit float recording also makes it a powerful tool for avoiding clipping and capturing dynamic sound with ease.

While it’s priced higher than competitors like the Zoom F3, the FR-AV2’s build quality and LCD screen offer solid value. Its auto-save function, dual XLR/TRS inputs and timecode functionality make it a versatile and reliable choice for professionals needing a compact, feature-rich audio recorder.

In short, the FR-AV2 stands out as a dependable, high-quality option for capturing pristine sound in any environment.

Tascam FR-AV2

$399.00 at B&H Video

Tech specs