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We have several lav mics we use for on-air talent, but this is strictly for run-and-gun situations. For example, if I’m following the progress of an addition to a house and I have to rush to get the concrete poured, I won’t have time to mic up the guys with the floats, I just have to get what I can. And distance will never be a constant. I could be on a tight shot at 18 inches or 10 feet away. I just need something that can cover all the basis at a decently high-quality.