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That’s a tough call withtout expensive post systems.
The problem with greens is that the background needs to be evenly lit, the talent should be separated to avoid shadows and green spill from the reflection of the backdrop.
In pro works you uso two light criteria: one set for the green screen and the other for the talent and this also needs separation to avoid one lighting source to affect or contaminate the other one.
I can’t help with Vegas, but FCP may yield better results or compose in AE. In any case this will need some work that can include creating some masking through the color corrector as John says.