I’ve never had audio probl


I’ve never had audio problems when connecting a shotgun mic to a camera and using a boom pole. What may be hard is following the actors if they are moving around a lot.

I think the hardest part is sound design, either capturing the sound that takes place during the shoot or creating your own sound in post.

What kind of film are you making? A narrative or a feature documentary? If you’re doing a documentary, you can higher anyone to operate the boom pole. A narrative may be a little more involved though.

Thats all what I think. Maybe some others can give you some advice too…

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