How about just letting the


How about just letting the camera rum without stopping, that way you get an uninterupted music track and just walk around and shoot lots of various angles. I used to do when I didn’t have a soundman working with me, lots of faces, finger snapping, wide shots and as much as you can get in in a tune, then shoot the that next tune and forget that sound, just take a lot of pictures- also of the audience if there is one and you can use those pix with the first sound track, you’ll find you get pretty ggood at it and it worked for me when I was a network cameraman. Bob Dutru (retired cinematographer)

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