Why the world needs your documentary NOW

Whether it’s a short or feature-length video for YouTube, or for theaters across the country: the time is now for you to tell a personal story that only you can tell. Most filmmakers get into this business to make narrative pieces. There’s certainly nothing wrong with that, but let me pose a question. Do you think it’s more important to provide a momentary distraction from the world’s problems? Or, is it more important to provide possible answers for how to fix them?

By shining an unflinching light on a topic that you understand intimately (or are at least passionate about learning more about) you will be able to bring awareness to a hidden facet of life that many other people can relate to. As a woman, minority, or someone else who hasn’t traditionally made the movies in Hollywood, you may have an alternative and vital viewpoint. So how do you get started?

You can do this

One great thing about documentary filmmaking is that the technical bar is, let’s say, a little lower. Truth be told, if you’re just starting out, an excellent subject may more than make up for your lack of experience behind the camera. Plus, you can still yield a compelling piece. It’s necessary to learn the basics, but it’s not like you need to have a film school diploma. Another great aspect of doc shooting and producing is that you don’t need to recruit and pay for a big crew. Sometimes you can even do it solo and still get all that you need. This style of production can be both freeing and a little scary, but that’s what makes it fun!

Let the story unfold

Another fantastic part of doc making is that you don’t have to have it all figured out before you start. By no means should you begin without a plan, but you do not need to have a completed 100-page script that has seen five revised drafts like you would for a narrative feature. No, the beauty of a great documentary is that the story will usually work itself out over time. You’ll have to be nimble and imaginative to keep up with the plot as it emerges, but that will only increase your enjoyment of the process.

Travel may be built in

Did I mention travel? Exotic locations? Once-in-a-lifetime events? The stellar thing about making a documentary is that the film you choose to make can be a reflection of your spirit and take you as far as you need to go. Finding the funds to get a crew to shoot a narrative in Alaska, Thailand or the Serengeti can be darn near impossible. However, getting a plane ticket there for you and a sound mixer may be very doable. If the story is there, you can find it and make it your own.

Opportunity around every corner

A word of warning — and this is the part that is sometimes hard to deal with. Every once in a while, your documentary subject, setting, or story may just sort of evaporate. This is not to mention that you may have something break or stop working. If you don’t have backups for your gear, this can stop you dead in your tracks. Unfortunately, just because you started doesn’t mean you’ll be able to finish.

This is a tough pill to swallow sometimes, but if you stay diligent and approach every twist in the production like an opportunity, then you’ll be in good shape. This often leads to telling an even more unique story or being able to learn your craft better.

This is a BTS still from the feature documentary “BETTER” that we shot in Harvard, Seattle, and Fresno, CA.

Be ready to improvise

Failing forward is the name of the game when it comes to documentaries. A great example of this in my own work was during the making of the feature doc “Better.” The subject, Jonathan Bailor, had flown to my studio to capture the bulk of the project and then on day 4, record a four-hour talk in front of a live audience. The only problem was that about two days in, his voice went out completely. We ended up shooting a variety of B-roll and studio footage that we never would’ve gotten if he’d been able to talk, though. It made the end project infinitely more dynamic and is remembered as a very happy accident.

I hope you can see why making a documentary can be every bit as thrilling as a narrative and offer you some advantages that a narrative never will.

Justin McAleece
Justin McAleecehttp://blaremedia.net
Justin McAleece is a socially conscious director of narrative and documentary projects both personal and commercial. He has been dedicated to filmmaking since 1999 and has won dozens of awards and directed 100s of hours of content and lensed even more. With the birth of the Better feature and its continuing platform, Justin has redoubled his efforts into fostering transformative personal growth through storytelling. He aims to couple science and emotion to change lives all over the world.

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