Don’t be too selective

There’s a time and a place to get picky about what jobs you take as a videographer — the beginning of your video career is probably not one of them. We understand; you want to fill a particular niche and holding out for the right productions seems important. But when you’re first starting out, building your portfolio and your network is necessary to secure yourself in the industry so you can have the means to turn down projects and focus on the projects you’re most passionate about.

We’re going to give you three reasons why you shouldn’t turn down a video gig (and one reason why you should).

The first reason to say “yes” to any gig is the training factor. Every production comes with its unique challenges. How we overcome those challenges is how we learn. For example, let’s say you get called on to record a school play or a concert. Don’t for one minute think, “That’s beneath me.” There are lots of skills that you’re going to pick up doing those jobs that can make or break you later. Have you ever seen how your camera operates in theatrical lighting? That can be tricky. How about the lights in a gym or under stadium lights? These are all shooting locations you may find yourself in later.

The second “yes” is the connecting point. You never know who might be in the room and looking for a cinematographer for their next project. Perhaps in that school event, there’s a parent whose company needs some corporate videos produced. This could lead to a lucrative project or even more connections later.

Speaking of money, that’s the third reason to say “yes” — a paycheck. Now we don’t mean that you should become a mercenary creator and take anything that pays. But a little money can certainly help. And not just to pay the bills either — we believe in investing in your craft. There’s always a new piece of gear that can help you up your game. Whether that is a better lens, a new filter, microphone, light or gimbal, you’d be surprised at how a small thing can make a big difference.

That brings us to the big “no.” When should you say “no” to a job, even when you’re first starting out? If something comes up that you feel crosses your moral line, don’t feel like you have to say yes to the offer. In fact, in certain cases, what you say “no” to might actually elevate your worth to current and future clients.

Ultimately, when starting out, getting your foot in the door and building your experience should always be your priority if you want the best shot at making video production your long-term career. This means you should say “yes” more than you say “no.”

Matthew York
Matthew York
Matt York is Videomaker's Publisher/Editor.

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