- December 12, 2017 at 9:26 AM #email@example.comParticipant
I work for a Theological Seminary shooting videos of lectures, interviews, critiques, etc. We have a nice studio but at the moment I really only use half of it which is where our “greenscreen” (it covers a fifth of the room) is. Right now I will usually pop in a background from Videoblocks or create one in Adobe Dimension. However the other half of the studio is a nice big stage that I would like to start using to get away from the greenscreen except for special efx. What kind of set designs would you suggest or what elements should I be thinking about adding as a background for lectures?
And I’ve browsed through the Video courses and didn’t really see anything particular to this subject. Anybodyelse see anything in there?
- December 13, 2017 at 4:15 PM #278017JackWolcottParticipant
In my experience the key to sets is versatility. I would build several 4’x8′ flats: a couple of window units, one with bookshelves, some with wood paneling and some that exhibited neutral colors and perhaps a subtle wallpaper design. At least one flat should have a door, suggesting architectural space beyond the confines of the setting. At least a couple of large platforms on castors and furniture appropriate for a classroom lecture, an intimate conversation and a conference room. Include several fake potted plants in attractive containers and some boughs of spring and autumn leaves. An attractive working floor lamp and desk lamp would be a good bit of set dressing too.
The window units provide an opportunity for directional light coming into the room and, in conjunction with leafy branches outside the window, the motivation for gobo leaf patterns on the walls of the set. If one window unit has mullions that’s another opportunity for a window gobo to pattern the wall or floor. If you’re inclined toward realism, a projection of the city or countryside on the window backing would look lovely and if projections aren’t your style there are huge photo-realistic backdrops available on line.
Design the flats so they can be used in a great variety of configurations. You’ll evolve how to dress each setting — books, pictures, coat rack, etc., — as your productions progress.
I’ve worked in studios set up like this which allowed for a complete change of setting in a very few minutes. Lights were pre-focused for areas such as the window unit or a wall pattern and on the lectern, desk or chairs so all that was involved was to move the flats into position, lash them together; wheel in the furniture, preset on a platform; set the dressing and go online live.
- December 19, 2017 at 7:31 AM #firstname.lastname@example.orgParticipant
Thanks will definitely look into doing this!
- December 22, 2017 at 3:05 PM #278056paulearsParticipant
Aluminium truss always looks modern and interesting – but have you considered a white cyc, or even better build an infinity wall which can be white or have gobos projected onto it – or coloured lighting – or shapes, or even video projected onto? As long as you have a bit of space you can do loads of interesting stuff if you don't want to build full sets. Boring subjects need different treatment to interesting ones. I did a whole series of theological stuff, and they really liked the stately home library we used. It did fit the subject.
- You must be logged in to reply to this topic.