Are you needing to make green screen content on the go? We have comprised a list of all the top green screen apps out there and will cover them all.
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This week we talk about how often you should replace your gear, and when to buy new vs used.
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We talk to accomplished gaffer, Michael Walsh about what it's like to handle the lighting for some of hollywood's biggest movies.
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We talk about pre-production and whether or not anyone really needs it. Spoiler alert, most of the time, everyone does.
With the ubiquity of cheap LEDs, the sky’s the limit for the creative filmmaker. But besides just lighting a scene, what can you do with RGB LEDs?
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In this episode of the Videomaker Podcast, Chris and Mike talk about how to make the leap from amateur to professional in the world of video production and filmmaking.
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We talk with Joel Shryack about editing the sound for Jumanji: The Next Level.
The screenplay is the backbone of a movie. It is the written version of a film, and it’s what everyone on set is working together to bring to life. For many, writing dialogue can be the most daunting part of screenwriting. When you have...
We’ve all been there. Someone's found out that you have the video tools and the talent, and you get volunteered to record something, shall we say, less than exciting. Perhaps it’s a school play, or a kid’s sporting event or a musical recital. Your first, gut reaction...
Mike, Nicole and Chris talk about what they seeing as the big improvements in video tech that we hope to see in 2020.

Essential Learning

As cameras have increased their video resolution and framerate capabilities over the years, the SD specifications have evolved to include more space and faster write times.

How to Choose the Right SD Card

SD stands for “Secure Digital” — it’s a technical specification published in the waning years of the 20th century, created by three digital giants:...
Simply put, HDR is a color enhancement feature that allows the range of colors to be extended on both the light and dark ends of the spectrum.

Keeping Up with HDR — No Camera Upgrade Required

We’ve all had those moments in our lives when we are stopped in our tracks by the awe-inspiring beauty of the “now”. Magnificent morning...
A Primer on Live Video Production

A Primer on Live Video Production

Many people want to stream events across the country so far away viewers — whether millions or a select few — can enjoy. Live...
It's important to understand your customer's needs and to illustrate how 360-degree will specifically help their business.

How To Make Money With VR and 360-degree Video

While the gear buy-in can be relatively inexpensive, producing engaging content is a bit more challenging. Let's take a look at gear, production and...
How Camera Usability Impacts Your Final Product

How Your Camera’s Limitations Change the Way You Shoot (and How to Get the Shot Anyway)

There’s a 19th century poem by American writer Edward Rolland Sill called “Opportunity.” It’s about a battle: a cowardly soldier leaves the field, complaining...
Understanding Lenses: How They Workvideo

This is How Your Camera’s Lens Produces a Usable Image

In its most basic form, a lens is a piece of glass or plastic with curved surfaces. Lenses are used to bend rays of...
Understanding bit depth: the difference between 8-bit, 10-bit and 12-bit video

Understanding Bit-depth and Color Rendition for Video

A video camera’s ability to reproduce a smooth gradation between colors and shades is an important factor when seeking to capture filmic images. The...
How to Cover an Event in 360 - Source Sound, Inc - Jack White’s Live VR concerts

How to Cover an Event in 360

Spherical video has the ability to bring a viewer right into the center of the action, no matter if that’s sports, entertainment, concerts or...
End scene from 2001 A Space Oddessy

What is mise-en-scène? An essential filmmaking concept

Mise-en-scène means “placing on stage” and refers to props, lighting, wardrobe and blocking.
10 Production-saving Accessories

10 Production-saving Accessories

Inclement weather, dead batteries, missing assistants, cars that break down, tripod legs that snap, shoots being delayed for hours, getting kicked off of locations,...
Make shooting RAW your default plan; you can always change it.video

When to shoot RAW (and when to skip it)

A RAW image frame is like a film negative — different processing can give you different results.

10 Shorts every cinematographer needs to see

Orson Welles often had great ideas for movies and then spent years going from studio to studio in Hollywood trying to get someone interested,...
Image illustrating Rule of Thirds

Composition in photography and film

There are actually shapes and alignments that people find pleasing. But photo and film composition also needs to tell a story.
The Essential Video Shooter’s Toolkit

The Essential Video Shooter’s Toolkit

The big day has finally arrived — a video shoot for the biggest client to ever darken your door. You’re nervous, but excited and...
Digital ISO standard is measured by how sensitive your camera sensor is to light combined with how good your camera’s firmware is at interpreting the signal from the sensor

ISO: What It Is and How to Control It

Put simply, ISO is how sensitive to light film stock is. The higher the ISO, the more sensitive your film and the less time...
4x4 traversing rocky road.

3 Tips for an Effective Multi-Action-Cam Shoot

The action camera market segment, popularized by GoPro, has made point of view (POV) filmmaking accessible to the masses. There’s something compelling about watching...
Which is the Right Image Sensor for me?video

Which image sensor is right for you?

We all know light sensors make our cameras work, but what makes a good light sensor? Which camera and image sensor combo is best...

Lenses: How does focus work?

If you’re new to shooting video, you may notice that fellow camera geeks like to talk a lot about “glass”. While there are a lot of things made of glass in the video world, there’s only one thing called “glass”: Your camera lens. Here's how it works to produce a useable, in-focus image.
Best Frame Rates for Slow Motionvideo

How to Choose the Right Frame Rate for Your Epic Slow Motion Sequence

Until recently, directors didn’t have a lot of choice in slow motion without highly specialized equipment. 1987’s Panaflex Gold II for example, could only...
In the real world around us, there are three hundred and sixty degrees of information, and it’s the directors job, along with the cinematographer, to figure out which very few degrees of that vista best help tell the story to the viewer.

Choosing the Right Focal Length

We’ve got this picture in our minds of a director holding her fingers up in twin L shapes, one inverted, and peering through the...
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