Lucky for you, we got our hands on them early and put them through the paces to find out: are they worth buying?
Neat blinky lights, but what do they do?
Think of these three products as a ready-to-go TV station that can fit in one rack space. Bring in signals through the ATEM and switch between them. Then, record that signal onto SD cards in the HyperDeck Studio Mini. Then, broadcast your program via the Web Presenter.
Features and Function
The Web Presenter is $495 and allows SDI and HDMI video sources to be streamed online. With both a 12G-SDI and HDMI connection it will conform SD, HD and UHD sources to 1,280 by 720 to be broadcast via USB webcam protocols. On your computer, it simply shows up as a USB webcam. This gives you the ability to use any camera for Skype calls. You can even live switch between two sources when the Teranex Mini Smart Panel is attached, but that costs an extra $85. A streaming program is not included, so third-party software is required for streaming on services like Facebook and YouTube.
Next is the switcher in a half rack. The ATEM Television Studio HD is a live production switcher with eight inputs, with multi-view, aux and program outputs. It has analog audio inputs and built-in talkback when using SDI. The ATEM packs a big punch for just a bit under 1,000 dollars.
The HyperDeck Studio Mini, $695, is a deck that records and plays back 10-bit video using SD Cards. It has 6G-SDI and records up to UHD at 30 frames per second. It also includes HDMI monitoring, a built-in sync generator and ethernet for uploading to a FTP.
Blackmagic Web Presenter
Over the past year, we have been in search of the newest and best ways to stream video to Facebook. That’s why these new Blackmagic products caught our attention. When we first started producing a show for Facebook LIVE we were shooting from a phone. It worked, but didn't sound or look good. That prompted us to look for a way we could achieve professional looking and sounding video, so we took it up a notch by adding in professional support, lighting and microphones. Around this time, Facebook opened their streaming API to the world. This allowed us to ditch the phone and opened us up to being able to use a professional camera and have the ability to switch between multiple sources.
We’ve tried many different Facebook LIVE streaming solutions from Telestream’s Wirecast 7 to Newtek’s Tricaster Mini, the Livestream MEVO and even a few DJI drones. We’ve produced many shows in a half-dozen different ways and have settled into the Newtek Tricaster Mini because it fit our studio space and our broadcasting needs. Enter in the Blackmagic Web Presenter and the ATEM TV Studio HD, and we were drooling for a streamlined solution.
One of the difficulties of streaming on Facebook is that it doesn't always work. Depending on the tools you use to stream, how well the stream works can vary greatly. We had great hopes that when using the web presenter, the process would be easier. Our hopes were dashed quickly when we realized that third-party software is needed to stream using the RTMP protocol that Facebook requires. With the 2015 MacBook Pro, we only found one program to work for streaming: OBS Studio. Unfortunately, its performance was sub-par. The sound and video were out of sync.
We also tried using Wirecast 7 to stream the signal, but the USB webcam protocol isn't supported for Mac OS; it did not show up as an input source. Until there is a better option, we wouldn't recommend the Web Presenter for Mac users.
Fortunately, we had a better experience with Windows. On a PC, Wirecast worked and the stream looked good. Unfortunately, though, wirecast is not free, and is an additional cost to stream.
With the addition of the Teranex Mini Smart Panel, the Web Presenter can switch between two signals. When switching an SDI input, there wasn’t any noticeable black when switching between the inputs, but over HDMI, there were a few frames of black during a switch.
ATEM Television Studio HD
If you want to live switch between signals, have a mix between HDMI and SDI inputs and want or need a compact form factor, the ATEM should be quite attractive. If you use SDI, it will allow for talkback when using Blackmagic cameras. To test it, we set up three cameras to switch between, but we had a bit of difficulty making this happen.
The ATEM requires all inputs to have the same frame rate and resolution. That said, it was suggested that we use 59.94. To test it, we plugged in an URSA Mini 4k and it worked great. However, add another camera, and that’s when we started having difficulties. When trying to bring up the second camera, a Canon 1DX MK II, it didn’t show up as an input. After turning off and unplugging both cameras, we got into a situation where we had only the 1DX plugged in and turned it on. Poof! Like magic, it appeared as an input. We celebrated, but quickly were plagued once again, when we powered on and plugged in the URSA. Now it wouldn’t show up. We then changed both camera’s to 23.97 and, voila, they both worked like a charm. We plugged in the third camera, a Canon 5D Mark IV, and it also worked. The lesson learned is to be careful of what frame rate you use as your standard. It could make getting cameras online easier or more difficult.
After that frustration, the ATEM worked as it should. Its easy-to-switch, simple transitions (like cut and fade) are assigned to buttons for easy execution. The screen on the front let us see the program out, and it was easily passed to either the Web Presenter or the HyperDeck Studio Mini. The big value in with the ATEM is that it’s simple, easy and affordable. A great use for it would be in a house of worship or within an educational setting.
HyperDeck Studio Mini
For our demonstration of streaming online, the HyperDeck Studio Mini wasn’t necessary. However, it does make a great addition to expand the capabilities for recording your broadcast. We had no issues with it, and it was easy to use. A stand-out feature is that it can record onto one SD card or both at the same time.
Like we said before, there are many different ways to stream online, but none are directly comparable to each other. We see this as a great opportunity for manufacturers to be creative and innovative within the space and feel the best comparison out there is the NewTek Tricaster Mini.
The TriCaster Mini is currently 6,000 dollars — much more than the combined cost of all three of the Blackmagic offerings. As reviewed, Blackmagic’s total setup cost is only 2,270 dollars. To be fair to NewTek, you don’t need streaming software to stream to Facebook or YouTube. For a PC, you can add as much as $1000 or as little as $500 for Wirecast 7 depending on if you want the Studio or Pro version. The TriCaster also has a host of other features the Blackmagic setup doesn’t, including live chroma-key. Still, the whole Blackmagic package, on the high end, is around half the cost of the TriCaster.
Final Thoughts and Recommendation
We hoped that we had found a new and better way to stream to Facebook than our TriCaster. Unfortunately, we didn't. However there is some great value in these products. The value is not just found in streaming to Facebook. The main issue is the need for third party streaming software and the compatibility of that software with the USB webcam protocol. If Blackmagic can get that figured out, then this setup would be a dream home studio, ready for high-quality streaming. Until then, the ATEM and Hyperdeck Studio Mini are great for use with each other or separately and offer a good value
Blackmagic Web Presenter - $495
Teranex Mini Smart Panel - $85
ATEM Television Studio HD - $995
HyperDeck Studio Mini - $695
- Small and compact
- Requires third party streaming software
- ATEM has rigid frame rate and resolution control
Think of these three products as a ready-to-go TV station that can fit in one rack space. Bring in signals through the ATEM and switch between them. Then record that signal onto SD cards in the HyperDeck Studio Mini and broadcast your program via the Web Presenter.
- Event Videographers
- Social media enthusiasts
SDI Video: Input, Output, Program & Loop Out
SDI Rates: 1.5G, 3G, 6G, 12G
HDMI Video: Input, Output & Loop Out
Analog Audio Inputs: (1) XLR mic and line, (1) RCA.
USB: 2.0 - USB webcam protocol
ATEM Television Studio HD
Inputs: 4 x BNC, 3G/HD/SD-SDI, 4 x HDMI Type A, 2 x XLR analog audio, 1 x BNC, reference, 1 x 1/4" microphone input
Outputs: 4 x BNC, 3G/HD/SD-SDI - talkback program, 1 x BNC, 3G/HD/SD-SDI - program, 1 x BNC, 3G/HD/SD-SDI - multiview, 1 x BNC, 3G/HD/SD-SDI - auxiliary, 1 x HDMI Type A - multiview, 1 x 1/4" stereo headphone
Other: 1 x D-Sub, RS-422, 1 x RJ-45, Ethernet, 1 x USB 2.0 Type B
SDI: 1080p 23.98/24/25/29.97/50/59.94, 1080i 50/59.94, 720p 50/59.94
HDMI (NTSC, PAL): 1080p 23.98/24/25/29.97/30/50/59.94, 1080i 50/59.94/60, 720p 50/59.94
SDI Compliance: SMPTE 259M, SMPTE 292M, SMPTE 424M
Video Sampling & Color Precision: 10-bit, 4:2:2
Color Space: 4:2:2 YUV
Keyers: x1 Upstream, x1 Downstream, x1 Chroma, x3 Linear/Luma
Operating System Support: Apple MacOS 10.10 or newer, Windows 8.1 or newer (64-bit only)
HyperDeck Studio Mini
Records: Up to 3840 x 2160 at 30 fps
Play Back: Up to 3840 x 2160 at 30 fps
Inputs/outputs: 1 x 6G-SDI Input, 1 x HDMI and 2 x 6G-SDI Outputs
Records: Uncompressed / ProRes / DNxHD
Front Panel Buttons: Jog Wheel & LCD
Chris Monlux’s background is in broadcasting. TV is in his blood. He is also Videomaker’s Multimedia Editor.