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Viewfinder: It’s Getting Better All the Time
Editing video is getting better, easier and cheaper all the time. In the twelve years that we've been publishing Videomaker, it is unbelievable how...
Camcorder Binoculars: Getting Close with Telephoto
Using a telephoto lens is like giving your camcorder a pair of binoculars.
The longer the focal length the greater the magnification.
The cameraman was nose...
More Mini Bios and More Articles like Steal from the Best
Sig's Inspiration
I was very pleased to see "One
Readers Room" in the March 1998 issue. I use very similar equipment
to make wildlife and nature documentaries....
Sharp’s new Camera Combines Digital Stills and Video
This month:
Sharp VL-DX10U DV Camcorder/Still Video Camera Elite Video
Bryce 3D Software
Mitsubishi HS-U680 VHS VCR
Video Sphinx Pro MPEG-1 Video Digitizer
SD-3 Duplication Station
Jack of...
Careful Not to Break the Balance!
On Balance
Loren Alldrin's Sound Track column,
"The Balancing Act" (February 1998) was excellent. I want to add
to it one caution to videographers. Most consumer camcorders...
Let the Sun Shine In: How To Control the Great Outdoor Light Source
Oh, the glorious sun.
This magnificent ball of burning gas sheds immeasurable power on our world from millions of miles away. It orders our seasons,...
Back to School: A Video Project
The dream sequence has been a popular visual tool since the inception of motion pictures. In a dream sequence, the videographer or filmmaker deliberately...
Homemade Sound Effects With Big-Budget Impact
From the delicate ticking of a timebomb to its gut-wrenching explosion, sound effects are a sure-fire way to grab and hold a viewer's attention....
Why Y/C?
You don't have to go far into the realm of the high-quality consumer video formats before you run across the terms Y/C or S-video....
Add Audio Compressors to the Mix in Audio Editing
Audio Compressors
I enjoyed the article on headphone monitoring (Ear Monitors, Videomaker, April, 1997). The information was useful, but no one ever seems to mention...
