Welcome to Videomaker magazine, celebrating 25 years of helping people make better video! We've compiled some of our most helpful free training videos, so that you can quickly and easily get all the information you need to start shooting video that gets you noticed. Use these resources to help transform your creative idea into a professional, polished video that you can be proud to share on YouTube. When you're done, you can visit our video tutorial page for more informative training videos or you can look through our magazine archives to find articles explaining every aspect of video production -- from storyboarding to video editing to post production.
Make Better Video for YouTube
- Getting Started
- Production Techniques
- Editing & Post-Production
White Balancing for DSLRs and Camcorders
There are many factors that contribute to getting a good looking shot. Setting your white balance correctly saves time and frustration when it comes time to edit and opens up artistic options in the field. In this segment, we talk about the basics of color temperature, when to use auto white balance, setting your white balance manually by dialing it in or using a white reference object and how to ensure good results in tough situations.
Build an Open with Graphics, Cameras and Expressions
Go behind the scenes as we break down how the opens for our latest Videomaker web videos were created with Adobe After Effects. From start to finish, we show you how we built a basic two dimensional graphic title, and then used camera movement and expressions to take it into the third dimension.
Microphone Pickup Patterns
Choosing and using the right mic for the job is an important step in any video project, and understanding a microphone’s directional characteristics is one determining factor. In this segment, we talk about a microphone’s directional response and sensitivity, how to interpret a polar response chart, and we listen to examples of various mics to hear how response works in practice. Knowing how to determine the directional characteristics of a mic, and understanding how this affects the sound your mic picks up, can help you make an informed choice for your next project.
Mastering Depth-of-Field - Part 2
The basic concepts of controlling depth of field with aperture, focal length, and distance are fairly easy to grasp, and we covered those topics in part one of this series, but now it's time to dig a little deeper. In this segment, we talk about perceived depth of field, how sensor size and angle of view can affect your ability to get the depth of field you want, and using depth of field to rack focus. There's a lot of confusion surrounding these topics, but a little common sense, and of course a bit of math and science can help us break it all down.
Mastering Depth-of-Field - Part 1
Every shooter wants to be able to direct the viewers' attention to the important aspects of a shot, and manipulating your depth of field is a great way to do it. In this two part series we talk about controlling your depth of field with aperture, focal length, and distance. In part two we talk about perceived depth of field, how sensor size and angle of view might affect your ability to get the depth of field you're striving for, and rack focusing. Knowing the different ways to achieve the depth of field you want for your scene will ultimately help you to craft more effective scenes.
Gels & Diffusion - Everything You Should Know - Part 2
In a perfect world, every light source would cast the perfect color onto your scene, but in reality, the color temperatures of the light sources in your scene can have a wide range, and this can cause color balance issues in your footage. In this segment we talk about the basics of color temperature, and how to use color correction gels on your light sources to create a balanced scene. Understanding how varying color temperatures affect your scene, and learning to correct the imbalance will have your scenes looking good.
Gels & Diffusion: Everything You Should Know - Part 1
We'd all like to have a professional lighting technician, and an unlimited budget to get the perfect lighting setup for the perfect scene. But the reality is, most of us are lucky to have 2 or 3 lights in our arsenal. Knowing how to control your lights can help maximize their potential. In this two part segment we talk about the properties of light, and using gels to control the color, intensity, quality, and color temperature of your light sources. Learning to use lighting tools properly will help you create a great looking scene, even if you've got limited resources.
Breaking Down the 180-Degree Rule
There's a lot more to shooting a great scene than just planting a camera somewhere and yelling action. We all want to shoot a scene that can be cut together to achieve great continuity with a good variety of shots. The 180-degree rule is a useful tool to help you achieve this. In this segment we talk about the basic principles of the rule, establishing action lines, working with shifting action lines, and redefining the action line using neutral shots, camera movement, and cutaways. Knowing how to apply the 180-degree rule, and when you might want to break it can take your production skills to a higher level.
Matching Action Cuts Like the Pros
One thing that separates amateur videos from professional videos is shooting a scene from multiple angles and cutting on the action. Cutting on the action is an editing technique where the editor cuts from one angle of a shot to another, while maintaining the continuity of the action in the scene. In this segment, we'll show you how we cut four different camera angles together to form one continuous scene.
Explode with Trapcode
Particle generators are a powerful tool for motion graphics. Go behind the scenes as we recreate the exploding Videomaker logo used in the open of some of our web videos. We use Red Giant's Trapcode Particular to create this effect, which is a third party plug-in available for Adobe After Effects.
Creative Lighting and Camera Work in the Assassination of Jesse James
Directed by Andrew Dominik, “The Assassination of Jesse James by the Coward Robert Ford” uses creative lighting and camera work that results in effective visuals to enhance the story. Released in 2007 this film's cinematography earned Roger Deakins an Academy Award nomination.
Using a Switcher for a Multiple Camera Shoot
Live switching an event can be a little overwhelming if you've never sat behind the controls of a switcher before. But if you keep it simple, you can nearly eliminate the need for post-production. In this segment we talk about getting video and audio into a switcher, the basics of switching, and adding live graphics over your shots. If you prepare properly and practice a bit, live switching can be an exhilarating experience.
Editing a Multiple Camera Shoot
You've captured stunning footage and pristine audio, and now it's time to tie everything together into a cohesive edit. In this segment, we talk about labeling your clips, syncing your audio and video, setting up a multi-camera clip, and using the multi-camera editing tools. Knowing how prepare your clips and utilize the tools properly can help streamline the post production process, and get your project completed on time.
Shooting and Directing a Multiple Camera Shoot
With intensive pre-production and tight budgets, you're all set up and ready to shoot. Now the pressure is on to get great footage and capture the event. In this segment, we talk about last minute preparations, shooting techniques, and how to direct a crew. This is where the real fun begins, and all your skills will be put to the test.
Setup for a Multiple Camera Production
With cameras, mics, and lights, you've got all the essential gear you need; but there's a few more choices left to make before shoot day. In this segment, we talk about choosing a multi-cam production workflow, ensuring good communication, and setting up on the day of the event. Choosing the right workflow and setting up properly will ensure that you're ready to roll when the event begins.
Choosing Gear for a Multiple Camera Shoot
You've toured the venue, extracted pages of details from the client, and you're ready to put your gear list together. Most of us would feel lucky if we even had one complete set of equipment in our arsenal, so you may need to borrow or rent additional gear to pull off a multiple camera production. In this segment, we talk about choosing cameras, support, audio gear, and lighting. Using the right gear is the core of a good shoot, and a great final product.
Exporting a Master File from Final Cut Pro X
The last step in the Final Cut workflow is one of the most important. After all, if your video never leaves the timeline, what good is it? In the final installment of our Final Cut Pro X training series, we show you how to export a master file, and upload to YouTube.
Planning for a Multiple Camera Shoot
Capturing a live event can be a formidable task. Whether it's a wedding, concert, or presentation, using a multiple camera setup can help ensure you get complete coverage, without missing important moments. In this segment, we talk about the advantages and disadvantages of a multi-cam setup, as well gathering the information you need about the event.Knowing when a multi-cam production is the best option, and how to plan for it can help make sure your next project covers all the action.
Parallel Editing and Story Arc in The Godfather
Released in 1972, The Godfather redefined the gangster genre. Nominated for the best editing Academy Award, this film used parallel action, music, and effective storytelling techniques to create the baptism scene that exemplified the conflicted nature of Michael Corleone.
Transitions, Color Correction, and Audio Sweetening in Final Cut Pro X
Once you have your rough cut complete, it's time to add some polish. In part five of our six part Final Cut Pro X training series, we show you how to add transitions and effects, as well as how to color correct your footage and sweeten the audio.
Pages
Video Production: A Messy Balance of Art & Science
Greg Olson - May 20th, 2013
Here at Videomaker, we often delve into the academic fundamentals of video production. We try to boil everything down to the “right way” of doing things.
5 Tips for Adding a Light Source With Light Reflectors
Jackson Wong - May 17th, 2013
Polaroid XS80 Mountable HD Action Camera
Luis Maymi - May 17th, 2013
Tripods & Stabilizers: Better Video From the Ground Up
Jordan Claverie - Mon, 05/13/2013 - 10:18am
One Camera, Two Lenses - ATC Chameleon Action Camera
Luis Maymi - May 08th, 2013
Exposing for the Sky
Jordan Claverie - Wed, 05/08/2013 - 10:07am
LUMIX DMC-G6 Digital Single Lens Mirrorless Camera
Luis Maymi - April 28th, 2013
Panasonic announce the new digital single lens mirrorless LUMIX DMC-G6 camera for photo and video. Is not just an interchangeable lens camera, but also an advance digital photographic tool with attractive features.
Steadicam Inventor Garrett Brown Honored
Jennifer O'Rourke - April 26th, 2013
Samsung NX300 2D/3D Compact System Camera
Luis Maymi - April 23rd, 2013
Using External Lens Filters
Jordan Claverie - Tue, 04/23/2013 - 3:31pm
Mastering Depth-of-Field - Part 1
Every shooter wants to be able to direct the viewers' attention to the important aspects of a shot, and manipulating your depth of field is a great way to do it. In this two part series we talk about controlling your depth of field with aperture, focal length, and distance. In part two we talk about perceived depth of field, how sensor size and angle of view might affect your ability to get the depth of field you're striving for, and rack focusing. Knowing the different ways to achieve the depth of field you want for your scene will ultimately help you to craft more effective scenes.
Lighting Accessories for an Industry in Change
Jordan Claverie - Tue, 03/26/2013 - 1:05pm
Shooting Tips For Beginners
Jordan Claverie - Tue, 03/26/2013 - 11:51am
Lighting Solutions: Choosing the Correct Light Source
Jordan Claverie - Tue, 03/26/2013 - 11:37am
Movie Set Terms: What do Cowboys and Martinis have in Common?
Jennifer O'Rourke - March 01st, 2013
Shooting DSLR Audio with the BeachTEK DXA-SLR PRO Audio Adapter
Jennifer O'Rourke - February 08th, 2013
CES 2013 - Videomaker Covers the Annual Las Vegas Event
Jennifer O'Rourke - January 04th, 2013
68 Things You Need to Produce The Hobbit
Greg Olson - November 12th, 2012
If you're a fan of Peter Jackson on facebook, then you know he has been blogging about The Hobbit every now and then. In a recent post he talks about some of the gear and techniques used to shoot The Hobbit. For most of us, buying one camera and a lens or an edit system is a big decision. Imagine having an astronomical budget to produce your next project.
JVC GY-HM600 Now Shipping
Mike Wilhelm - November 07th, 2012
At NAB back in April we saw the GY-HM600, and today JVC announced that the camera is finally shipping. With a suggested list price of $5,000, the GY-HM600 is a dedicated camcorder specifically targeted toward video professionals and prosumers.
2012 Holiday Shoppers' Video Wish List
mhageman - Wed, 11/07/2012 - 8:00am
What does one get for the video producer that has everything? Why, the latest and greatest of course. Innovation in the world of video is a never-ending beast and you can be sure that a plethora of new goodies has appeared on the market throughout the year. We'll take a look at some of the newcomers, and a few of the oldies that are sure to put a smile on your favorite video producer's face. We'll have a look also, at a few items that are especially well suited for stuffing those eagerly awaiting stockings hanging from the mantel.
Pages
Video Production: A Messy Balance of Art & Science
Greg Olson - May 20th, 2013
Here at Videomaker, we often delve into the academic fundamentals of video production. We try to boil everything down to the “right way” of doing things.
Hits and Impact Sound Effects
Jordan Claverie - Wed, 05/15/2013 - 10:53am
Technicolor Announces Color Assist 1.5 for Adobe After Effects
Luis Maymi - May 12th, 2013
Technicolor announced the latest version of Color Assist, a video color correction and grading software package. Key improvements of version 1.5 include compatibility with Adobe After Effects and support AVCHD video and still images.
Technicolor Announces Color Assist 1.5 for Adobe After Effects
Luis Maymi - May 12th, 2013
Technicolor announced the latest version of Color Assist, a video color correction and grading software package. Key improvements of version 1.5 include compatibility with Adobe After Effects and support AVCHD video and still images.
Editing Star Wars: May the 4th Be With You!
Jennifer O'Rourke - May 03rd, 2013
Editing Star Wars: May the 4th Be With You!
Jennifer O'Rourke - May 03rd, 2013
Video Editing Software Buyer’s Guide
Jordan Claverie - Tue, 04/23/2013 - 2:55pm
Top 10 Editing Mistakes to Avoid
Jordan Claverie - Tue, 04/23/2013 - 9:14am
Top 10 Editing Mistakes to Avoid
Jordan Claverie - Tue, 04/23/2013 - 9:14am
Making of "Hacked DSLR vs. Parkour"
Jackson Wong - April 16th, 2013
Best Post-Production Software of NAB 2013 - Avid Media Composer 7
Jackson Wong - April 11th, 2013
Videomaker's Best Post-Production Software of NAB 2013 is Avid Media Composer 7. Videomaker gets to see lots of different editing software programs, and Avid's Media Composer 7 is a revamped version of a trusted product. We also take notice of trends and though its no price drop like Autodesk's Smoke 2013, Media Composer 7's starting price at $1,000 definitely reaches a larger base of potential editors.
5 Tips for Improving Supporting Graphics
Greg Olson - March 25th, 2013
If the average video producer made a list of the key elements for a great project, the list would probably start with capturing great images, and hopefully include getting good audio, having great content, and maybe even getting good performances from talent. However, you're probably not likely to find solid supporting graphics on that list.
Explode with Trapcode
Particle generators are a powerful tool for motion graphics. Go behind the scenes as we recreate the exploding Videomaker logo used in the open of some of our web videos. We use Red Giant's Trapcode Particular to create this effect, which is a third party plug-in available for Adobe After Effects.
Time-Lapse Photography
Jordan Claverie - Tue, 02/26/2013 - 11:10am
Adobe Premiere Elements 11 and Photoshop Elements 11 Video and Photo Editing Software
Jordan Claverie - Tue, 02/26/2013 - 9:04am
Creating the Tilt-Shift Look in Post
Jordan Claverie - Tue, 02/26/2013 - 8:39am
Creating the Tilt-Shift Look in Post
Jordan Claverie - Tue, 02/26/2013 - 8:39am
Winter Doldrums: 3 Video Tips to Fight the Winter Blues
Jennifer O'Rourke - January 25th, 2013
Thunderbolt or USB 3.0--Which is the Better Option?
Mike Wilhelm - January 23rd, 2013
Consumer Video Editors
mhageman - Wed, 01/09/2013 - 8:00am































