Welcome to Videomaker magazine, celebrating 25 years of helping people make better video! We've compiled some of our most helpful free training videos, so that you can quickly and easily get all the information you need to start shooting video that gets you noticed. Use these resources to help transform your creative idea into a professional, polished video that you can be proud to share on YouTube. When you're done, you can visit our video tutorial page for more informative training videos or you can look through our magazine archives to find articles explaining every aspect of video production -- from storyboarding to video editing to post production.
Make Better Video for YouTube
- Getting Started
- Production Techniques
- Editing & Post-Production
Creating Foley Sound to Polish Your Audio Mix
Adding great audio to your video is an easy way to raise your production value. Foley sound brings details into your mix to make your video sound more professional. We show you how to create footsteps, clothing rustle, breathing, and unique barn door sounds. With some ordinary items as props, you can create some extraordinary sound for your next project.
JVC GC-PX100 Test Footage
We took the JVC GC-PX100 into various shooting environments to test its high-speed frame rates, autofocus, detail, moire, rolling shutter, low light capabilities, dynamic range, color, saturation, and image stablization.
Intensify Your Video with Sound Effects and Music
Great video is just the beginning of a well produced project. Well placed sound effects and music can help provide context for your scene, and give your character's action more meaning. In this segment, we walk through the process of adding sound effects and music to help intensify a scene.
Turn Day Into Night with Adobe Premiere Pro
Shooting your footage properly is only the the beginning of the day-for-night process. Using simple editing techniques, we take uncorrected day-for-night footage and finish the look in post production using simple techniques. Plus we show you how to fix some of the common errors encountered in day- for-night footage.
Shooting Day for Night
With careful planning and execution you can turn footage shot during the day, into night-time magic. In this segment, we show you how to shoot day-for-night by using exposure, white balance, and creative framing. Plus we talk about choosing your shoot time to get the look you want. Following a few simple guidelines will help you avoid common pitfalls, and gather footage that’s ready for the final touches in post-production.
White Balancing for DSLRs and Camcorders
There are many factors that contribute to getting a good looking shot. Setting your white balance correctly saves time and frustration when it comes time to edit and opens up artistic options in the field. In this segment, we talk about the basics of color temperature, when to use auto white balance, setting your white balance manually by dialing it in or using a white reference object and how to ensure good results in tough situations.
Build an Open with Graphics, Cameras and Expressions
Go behind the scenes as we break down how the opens for our latest Videomaker web videos were created with Adobe After Effects. From start to finish, we show you how we built a basic two dimensional graphic title, and then used camera movement and expressions to take it into the third dimension.
Microphone Pickup Patterns
Choosing and using the right mic for the job is an important step in any video project, and understanding a microphone’s directional characteristics is one determining factor. In this segment, we talk about a microphone’s directional response and sensitivity, how to interpret a polar response chart, and we listen to examples of various mics to hear how response works in practice. Knowing how to determine the directional characteristics of a mic, and understanding how this affects the sound your mic picks up, can help you make an informed choice for your next project.
Mastering Depth-of-Field - Part 2
The basic concepts of controlling depth of field with aperture, focal length, and distance are fairly easy to grasp, and we covered those topics in part one of this series, but now it's time to dig a little deeper. In this segment, we talk about perceived depth of field, how sensor size and angle of view can affect your ability to get the depth of field you want, and using depth of field to rack focus. There's a lot of confusion surrounding these topics, but a little common sense, and of course a bit of math and science can help us break it all down.
Mastering Depth-of-Field - Part 1
Every shooter wants to be able to direct the viewers' attention to the important aspects of a shot, and manipulating your depth of field is a great way to do it. In this two part series we talk about controlling your depth of field with aperture, focal length, and distance. In part two we talk about perceived depth of field, how sensor size and angle of view might affect your ability to get the depth of field you're striving for, and rack focusing. Knowing the different ways to achieve the depth of field you want for your scene will ultimately help you to craft more effective scenes.
Gels & Diffusion - Everything You Should Know - Part 2
In a perfect world, every light source would cast the perfect color onto your scene, but in reality, the color temperatures of the light sources in your scene can have a wide range, and this can cause color balance issues in your footage. In this segment we talk about the basics of color temperature, and how to use color correction gels on your light sources to create a balanced scene. Understanding how varying color temperatures affect your scene, and learning to correct the imbalance will have your scenes looking good.
Gels & Diffusion: Everything You Should Know - Part 1
We'd all like to have a professional lighting technician, and an unlimited budget to get the perfect lighting setup for the perfect scene. But the reality is, most of us are lucky to have 2 or 3 lights in our arsenal. Knowing how to control your lights can help maximize their potential. In this two part segment we talk about the properties of light, and using gels to control the color, intensity, quality, and color temperature of your light sources. Learning to use lighting tools properly will help you create a great looking scene, even if you've got limited resources.
Breaking Down the 180-Degree Rule
There's a lot more to shooting a great scene than just planting a camera somewhere and yelling action. We all want to shoot a scene that can be cut together to achieve great continuity with a good variety of shots. The 180-degree rule is a useful tool to help you achieve this. In this segment we talk about the basic principles of the rule, establishing action lines, working with shifting action lines, and redefining the action line using neutral shots, camera movement, and cutaways. Knowing how to apply the 180-degree rule, and when you might want to break it can take your production skills to a higher level.
Matching Action Cuts Like the Pros
One thing that separates amateur videos from professional videos is shooting a scene from multiple angles and cutting on the action. Cutting on the action is an editing technique where the editor cuts from one angle of a shot to another, while maintaining the continuity of the action in the scene. In this segment, we'll show you how we cut four different camera angles together to form one continuous scene.
Explode with Trapcode
Particle generators are a powerful tool for motion graphics. Go behind the scenes as we recreate the exploding Videomaker logo used in the open of some of our web videos. We use Red Giant's Trapcode Particular to create this effect, which is a third party plug-in available for Adobe After Effects.
Creative Lighting and Camera Work in the Assassination of Jesse James
Directed by Andrew Dominik, “The Assassination of Jesse James by the Coward Robert Ford” uses creative lighting and camera work that results in effective visuals to enhance the story. Released in 2007 this film's cinematography earned Roger Deakins an Academy Award nomination.
Using a Switcher for a Multiple Camera Shoot
Live switching an event can be a little overwhelming if you've never sat behind the controls of a switcher before. But if you keep it simple, you can nearly eliminate the need for post-production. In this segment we talk about getting video and audio into a switcher, the basics of switching, and adding live graphics over your shots. If you prepare properly and practice a bit, live switching can be an exhilarating experience.
Editing a Multiple Camera Shoot
You've captured stunning footage and pristine audio, and now it's time to tie everything together into a cohesive edit. In this segment, we talk about labeling your clips, syncing your audio and video, setting up a multi-camera clip, and using the multi-camera editing tools. Knowing how prepare your clips and utilize the tools properly can help streamline the post production process, and get your project completed on time.
Shooting and Directing a Multiple Camera Shoot
With intensive pre-production and tight budgets, you're all set up and ready to shoot. Now the pressure is on to get great footage and capture the event. In this segment, we talk about last minute preparations, shooting techniques, and how to direct a crew. This is where the real fun begins, and all your skills will be put to the test.
Setup for a Multiple Camera Production
With cameras, mics, and lights, you've got all the essential gear you need; but there's a few more choices left to make before shoot day. In this segment, we talk about choosing a multi-cam production workflow, ensuring good communication, and setting up on the day of the event. Choosing the right workflow and setting up properly will ensure that you're ready to roll when the event begins.
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Attack on the Drones! Is Shooting with a Drone Camera Legal?
tkohfeld - Wed, 07/10/2013 - 12:06pm
Radio-controlled drones have revolutionized the video industry. But after the United States government's use of drone technology in Iraq and Afghanistan, drones are under a huge legal and ethical microscope.
Breaking the Rules
Jordan Claverie - Wed, 07/10/2013 - 9:41am
There’s the rule of thirds, rule of odds, the 180-degree rule, stay in focus, do matched action edits, move in - don’t zoom in; and the list goes on and on. Sometimes, however, it’s OK to break the rules, so long as you know what you know, what they are and why you’re breaking them.
Surround Sound Part 2: Getting the Mix
Jordan Claverie - Wed, 07/10/2013 - 9:01am
Surround sound is the next evolution for media creators. While movies are the obvious choice for a surround mix, TV, videogames and even online content can supply a similar experience.
Zoom H6 Advanced Portable Recorder
Luis Maymi - June 17th, 2013
Many of Videomaker’s forum members use the Zoom H2 in their productions with great success, but now their will be pleased to know that Zoom will be introducing a new addition to their portable recorders, the Zoom H6.
Cashing in on Stock Video
tkohfeld - Tue, 06/04/2013 - 3:17pm
Do you like to explore interesting places and events … and make money doing it? Who wouldn’t! Then shooting and selling stock video might be just the thing for you.
Life at a Community Access Station
tkohfeld - Tue, 06/04/2013 - 2:37pm
Does your local news station cover everything except local news? Maybe it's time to ask your cable provider about public access to help your community showcase itself.
Video Production: A Messy Balance of Art & Science
Greg Olson - May 20th, 2013
Here at Videomaker, we often delve into the academic fundamentals of video production. We try to boil everything down to the “right way” of doing things.
5 Tips for Adding a Light Source With Light Reflectors
Jackson Wong - May 17th, 2013
Amid all the talk of second screens and mobile devices, one simple joy is easily passed - a handy light source. Now all we need to do is trade our touch screen swiping for reflector techniques and we can entertain dogs, cats and dragons for hours. Seriously, here are tips that you can take to your production set. But before you can make use of the following tips you must be able to control your reflector. Be sure you get a feel for the angle at which your light source is strongest since your reflection will be a weaker version (less so if you've got a highly reflective surface like a mirror).
Polaroid XS80 Mountable HD Action Camera
Luis Maymi - May 17th, 2013
If you’re planning an adventure where you'll need to cross a river, bike your way through the forest or climb a mountain, including an action camera in your video kit can help you relive the fun later. Better yet an affordable model such as the newest Polaroid XS80 mountable HD action camera.
Tripods & Stabilizers: Better Video From the Ground Up
Jordan Claverie - Mon, 05/13/2013 - 10:18am
If you want your work to look more like the shots you see on TV, you need to shoot rock-solid steady footage.
One Camera, Two Lenses - ATC Chameleon Action Camera
Luis Maymi - May 08th, 2013
If you thought a camera with two lenses is only for 3D, then you'd be as surprised as we were when we heard of the ATC Chameleon action camera. It has two lenses that shoot two videos simultaneously (in sync) and that can be independently positioned to shoot from different angles.
Exposing for the Sky
Jordan Claverie - Wed, 05/08/2013 - 10:07am
There’s a world of color out there, but your camera can’t see it all and the sky will play havoc with all that that vibrance. How do you fix it?
LUMIX DMC-G6 Digital Single Lens Mirrorless Camera
Luis Maymi - April 28th, 2013
Panasonic announce the new digital single lens mirrorless LUMIX DMC-G6 camera for photo and video. Is not just an interchangeable lens camera, but also an advance digital photographic tool with attractive features.
Steadicam Inventor Garrett Brown Honored
Jennifer O'Rourke - April 26th, 2013
It's hard to imagine a movie today that doesn't have a scene with a camera closely following the subject and Garrett Brown is getting much deserved recognition in the National Inventor's Hall of Fame for his creation of the Steadicam.
Samsung NX300 2D/3D Compact System Camera
Luis Maymi - April 23rd, 2013
Samsung NX300 is the new flagship model in the NX series delivering advanced and practical features for the professional photographer and videographer looking for a compact system camera (CSC).
How to Use External Lens Filters
Jordan Claverie - Tue, 04/23/2013 - 3:31pm
Taking the step to add lens filters to your video gear arsenal is one step closer to creating the look that defines your art and skills as a video producer.
Mastering Depth-of-Field - Part 1
Every shooter wants to be able to direct the viewers' attention to the important aspects of a shot, and manipulating your depth of field is a great way to do it. In this two part series we talk about controlling your depth of field with aperture, focal length, and distance. In part two we talk about perceived depth of field, how sensor size and angle of view might affect your ability to get the depth of field you're striving for, and rack focusing. Knowing the different ways to achieve the depth of field you want for your scene will ultimately help you to craft more effective scenes.
Lighting Accessories for an Industry in Change
Jordan Claverie - Tue, 03/26/2013 - 1:05pm
If you’ve been asking yourself if your next lighting purchase should be tungsten, color-balanced fluorescent, or LED, you’re not alone. Most video producers are struggling with these same questions.
Shooting Tips For Beginners
Jordan Claverie - Tue, 03/26/2013 - 11:51am
Everyone has to begin somewhere - what might be second nature to someone who has been shooting for a while can be confusing to someone just starting out.
Lighting Solutions: Choosing the Correct Light Source
Jordan Claverie - Tue, 03/26/2013 - 11:37am
An essential element in producing excellent video is correct lighting. Too much, too little or the wrong kind and you’re in for dissatisfying results.
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Surround Sound Part 2: Getting the Mix
Jordan Claverie - Wed, 07/10/2013 - 9:01am
Surround sound is the next evolution for media creators. While movies are the obvious choice for a surround mix, TV, videogames and even online content can supply a similar experience.
How to Edit Pre-Edited Footage
tkohfeld - Tue, 06/04/2013 - 3:54pm
There are times when a video editor is called to re-edit existing footage. Whether it was edited decades ago or last week, your anguished cry might be "why didn’t I save my original source files?!"
Turn Day Into Night with Adobe Premiere Pro
Shooting your footage properly is only the the beginning of the day-for-night process. Using simple editing techniques, we take uncorrected day-for-night footage and finish the look in post production using simple techniques. Plus we show you how to fix some of the common errors encountered in day- for-night footage.
Video Production: A Messy Balance of Art & Science
Greg Olson - May 20th, 2013
Here at Videomaker, we often delve into the academic fundamentals of video production. We try to boil everything down to the “right way” of doing things.
Hits and Impact Sound Effects
Jordan Claverie - Wed, 05/15/2013 - 10:53am
TV and movies aren't reality, regardless of what they tell you. Enhanced reality might be a little closer to the truth, or not.
Technicolor Announces Color Assist 1.5 for Adobe After Effects
Luis Maymi - May 12th, 2013
Technicolor announced the latest version of Color Assist, a video color correction and grading software package. Key improvements of version 1.5 include compatibility with Adobe After Effects and support AVCHD video and still images.
Technicolor Announces Color Assist 1.5 for Adobe After Effects
Luis Maymi - May 12th, 2013
Technicolor announced the latest version of Color Assist, a video color correction and grading software package. Key improvements of version 1.5 include compatibility with Adobe After Effects and support AVCHD video and still images.
Editing Star Wars: May the 4th Be With You!
Jennifer O'Rourke - May 03rd, 2013
Looking for a quick weekend read that covers two of our favorite subjects - Editing and Star Wars? Check out this easy-to-follow book that looks at some insider tricks to editing one of the greatest Sci-Fi/Fantasy classics of all time.
Editing Star Wars: May the 4th Be With You!
Jennifer O'Rourke - May 03rd, 2013
Looking for a quick weekend read that covers two of our favorite subjects - Editing and Star Wars? Check out this easy-to-follow book that looks at some insider tricks to editing one of the greatest Sci-Fi/Fantasy classics of all time.
Video Editing Software Buyer’s Guide
Jordan Claverie - Tue, 04/23/2013 - 2:55pm
When it comes to video editing software, one size does not fit all, and price isn’t always the best feature to base a product’s ability. Some very robust products can cost very little, some products aimed at beginners can be a bit too intense. So where do you begin? Research!
Top 10 Editing Mistakes to Avoid
Jordan Claverie - Tue, 04/23/2013 - 9:14am
The first step to professionalizing your productions is making it a priority to purge them of these 10 predictable problems.
Top 10 Editing Mistakes to Avoid
Jordan Claverie - Tue, 04/23/2013 - 9:14am
The first step to professionalizing your productions is making it a priority to purge them of these 10 predictable problems.
Making of "Hacked DSLR vs. Parkour"
Jackson Wong - April 16th, 2013
Making of "Hacked DSLR vs. Parkour" - yes, you get the secrets behind this cool video featuring the Tempest Free running Academy. Creator John Irwin has been very cooperative in our interrogation and the answers are surprising, especially if you think that the tricks done by the performers are fake - because the free running is real. Actually, without any pressing from Videomaker, Irwin posted the behind the scenes of the visually tricky video, so your assignment if you don't want SPOILERS, is to watch the original video, which was a Video of the Day on April 1 and then watch the making of (see link below) to hear how Irwin put it all together.
Best Post-Production Software of NAB 2013 - Avid Media Composer 7
Jackson Wong - April 11th, 2013
Videomaker's Best Post-Production Software of NAB 2013 is Avid Media Composer 7. Videomaker gets to see lots of different editing software programs, and Avid's Media Composer 7 is a revamped version of a trusted product. We also take notice of trends and though its no price drop like Autodesk's Smoke 2013, Media Composer 7's starting price at $1,000 definitely reaches a larger base of potential editors.
5 Tips for Improving Supporting Graphics
Greg Olson - March 25th, 2013
If the average video producer made a list of the key elements for a great project, the list would probably start with capturing great images, and hopefully include getting good audio, having great content, and maybe even getting good performances from talent. However, you're probably not likely to find solid supporting graphics on that list.
Explode with Trapcode
Particle generators are a powerful tool for motion graphics. Go behind the scenes as we recreate the exploding Videomaker logo used in the open of some of our web videos. We use Red Giant's Trapcode Particular to create this effect, which is a third party plug-in available for Adobe After Effects.
Time-Lapse Photography
Jordan Claverie - Tue, 02/26/2013 - 11:10am
Have you ever seen a day’s worth of freeway traffic race by in the blink of an eye, or a rose burst into full bloom in less than a minute? With time-lapse photography, you can compress an entire day into a short video clip.
Adobe Premiere Elements 11 and Photoshop Elements 11 Video and Photo Editing Software
Jordan Claverie - Tue, 02/26/2013 - 9:04am
Adobe Premiere Elements 11 and Photoshop Elements 11 are a powerful pair of programs designed to get the serious enthusiast up and editing fast, and at this price, are definitely worth serious consideration.
Creating the Tilt-Shift Look in Post
Jordan Claverie - Tue, 02/26/2013 - 8:39am
Visual aesthetics ride the roller coaster journey of trends. Currently the process of making video look like miniature toys is a popular look, and why not? Called tilt-shift photography, this stylized look takes real world footage and turns it into a visual toy box. Expansive landscapes and steel behemoths are rendered to tabletop playthings; a world in the palm of your hand. Video builds on this photographic illusion, changing real-time motion into a false staccato of stop motion animation. The popularity of the tilt-shift look is in part due to the accessibility of 35mm lenses, the ability of DSLR cameras to shoot video and the software capabilities of editors to simulate the look in post-production. This article is about the latter: how to create the tilt-shift look in post. It’s a process that can be done in most editing software and visual effects packages. With a little bit of effort, the virtual effect can be hard to discern from the practical tilt-shift image.
Creating the Tilt-Shift Look in Post
Jordan Claverie - Tue, 02/26/2013 - 8:39am
Visual aesthetics ride the roller coaster journey of trends. Currently the process of making video look like miniature toys is a popular look, and why not? Called tilt-shift photography, this stylized look takes real world footage and turns it into a visual toy box. Expansive landscapes and steel behemoths are rendered to tabletop playthings; a world in the palm of your hand. Video builds on this photographic illusion, changing real-time motion into a false staccato of stop motion animation. The popularity of the tilt-shift look is in part due to the accessibility of 35mm lenses, the ability of DSLR cameras to shoot video and the software capabilities of editors to simulate the look in post-production. This article is about the latter: how to create the tilt-shift look in post. It’s a process that can be done in most editing software and visual effects packages. With a little bit of effort, the virtual effect can be hard to discern from the practical tilt-shift image.
