Have you ever wondered the best way to mic somebody? Coming up we’ll have some tips on mic placement and outdoor shooting.
Hi, I’m Jennifer O’Rourke for Video Maker. In today’s tips and tricks we’re gonna talk about mic placement, how to diplomatically put a mic on your subject and what to do when you’ve got wind problems. Tip one, wardrobe; try to have your subject wear a button-down shirt if possible. It’s actually the best shirt to use for miking.
When wearing a button-down shirt place the mic between the top two buttons of your subject. You don’t want to have it on the collar like you see a lot of people do because they’re talking to the side. It needs to be about eight inches right below their mouth.
If your subject is wearing a t-shirt wrap the mic cable behind their neck and bring it under their t-shirt and clip it underneath so that the mic still points up. You want to make sure that the mic doesn’t point down. When it’s on a t-shirt it tends to want to do that.
Tip two, be discreet and be diplomatic. Only celebrities and politicians are used to being manhandled with microphones. Let your subject put the microphone on himself, tell him to pull the cables up under his shirt and adjust it on his lapel. After he’s got it adjusted then you calmly take it and readjust it the way you want it to go.
We just talked about wardrobe and mic placement. Now we’ll talk about voiding wind noise. Tip three, when it is windy outside, you always want to make sure your mic has a mic sock on it. Even if there’s not any wind you really need to have a little bit of it. Now if you don’t have one you can really easily make one with just a little bit of foam and a rubber band or a twist tie around that mic.
Another way to avoid some wind noise is if you have someone who can stand by and block the wind with a very large piece of poster board and try to place the subject with the wind at his back so that he can become the wind screen and always wear headphones so you can hear that hiss that might come from the wind.
Testing the S-Gamut3.Cine Slog3 colour profile in the Sony a7S II. Please note this is 4K down scaled to a 1080P timeline. Canon 16-35 F4 Set to F11 on both cameras. Shutter speed used to get correct exposure. White balance 5500K
We've been screaming about this for years, but Simon Cade at DSLRguide has put it into words more eloquently than we've heard in quite some time. Simon strikes down all the buzz words we industry geeks tend to throw around like dynamic range, aliasing and 4K, but emphasizes that the they all take second fiddle to storytelling.
5 ways to avoid embarrassment - Client based video production. Client relationships are at the heart of good business. Being prepared is key to success.
We show you 5 ways to avoid embarrassment and win favor with your client. A great product begins with a great experience.
We give you the first look and unbox The DJI Inspire 1. With its retractable landing gear, 360 degree rotating 4k Camera mounted on a 3 axis gimble and cool stylings comes with a hefty price tag, but is it worth it? Take a look and see our first impressions.
Brandon from LinusTechTips brings us this amazing explanation how Metabones Speedboosters are able to give your interchangeable-lens camera an additional f-stop. That means more light and even shallower depth of field.