Jordan Claverie - Wed, 03/27/2013 - 3:50pm
JVC’s GY-HM600 is one of the best choices for run-and-gun filmmaking and news gathering on the market today. It’s rich array of manual controls, wide selection of useful formats, extensive zoom range, and compact size will help shooters ensure that every moment is captured perfectly - the first time around.
Jordan Claverie - Thu, 02/28/2013 - 12:20pm
The Blackmagic Cinema Camera can clearly be called revolutionary, combining the broad dynamic range and color depth of expensive film and digital cinema cameras at an affordable price.
Jordan Claverie - Tue, 02/26/2013 - 8:42am
RAM, CPU, PCI-E, Gigabit vs. Gigabyte. Eesh! Any of these terms sound confusing and intimidating? You’re not alone. But don’t worry, you don’t need to be an electronic engineer to build your own PC. You only need to know about a few key components, and what to look for.
Jordan Claverie - Tue, 02/26/2013 - 8:39am
Visual aesthetics ride the roller coaster journey of trends. Currently the process of making video look like miniature toys is a popular look, and why not? Called tilt-shift photography, this stylized look takes real world footage and turns it into a visual toy box. Expansive landscapes and steel behemoths are rendered to tabletop playthings; a world in the palm of your hand. Video builds on this photographic illusion, changing real-time motion into a false staccato of stop motion animation. The popularity of the tilt-shift look is in part due to the accessibility of 35mm lenses, the ability of DSLR cameras to shoot video and the software capabilities of editors to simulate the look in post-production. This article is about the latter: how to create the tilt-shift look in post. It’s a process that can be done in most editing software and visual effects packages. With a little bit of effort, the virtual effect can be hard to discern from the practical tilt-shift image.
Anonymous (not verified) - Wed, 10/01/2008 - 12:00am
Many editing software programs offer a variety of colorful scopes to help enhance the hue, color, and brilliance, among other editing tweaks. But how do they work?
Anonymous (not verified) - Fri, 08/01/2008 - 12:00am
A few simple steps can save an improperly-shot scene or improve one that is less than brilliant.
Anonymous (not verified) - Tue, 07/01/2008 - 12:00am
A great director once asked, "To Interlace or not to Interlace? That is the Question. Whether âtis nobler in the mind to capture slings and arrows of sporting events clearly, or to make beautiful film-like pictures against a sea of blur..."
Anonymous (not verified) - Thu, 05/01/2008 - 12:00am
An Inspiration for the Documentarian in All of Us
Anonymous (not verified) - Sat, 03/01/2008 - 12:00am
The TriCaster STUDIO features six sets of live component, Y/C and composite inputs, and spectacular virtual sets that include sophisticated chroma key, reflection, refraction and lighting effects.
Anonymous (not verified) - Thu, 11/01/2007 - 12:00am
Landing that dream job may come down to less than three minutes - or even thirty seconds - of what you put together in the ever-so-important demo reel.