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January, 2001
by Joe McCleskey
A salute to the pioneering spirits that shaped the history of video and led the way to the products of today.
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March, 2001
by Carolyn Miller
The Web may be your ticket to the big time. Explore the opportunities that wait for you on the Web.
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February, 1996
by Stephen Muratore
High Phi
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February, 1997
by Stephen Muratore
When you show your videos, you're revealing a part of yourself to your audience. Don't let selfish videos threaten a good relationship.
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June, 2001
by Scott Anderson
A student's idea to infuse frozen instants-in-time with visual movement led to a cutting-edge Hollywood effect.
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June, 2001
by Joe McCleskey
A Decade and a Half in the Making: Videomaker's Fifteenth Anniversary
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May, 2003
by Jim Stinson
Classroom video projects can teach students how media can manipulate reality--and viewers
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July, 2003
by Bill Davis
Tailor your shows for the people who will watch them.
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July, 2003
by Brian Peterson
The world of transitions speaks a language we all understand--whether you realize it or not.
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October, 2003
by Stephen Muratore
"Beauty from order springs."--William King, Art of Cookery
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January, 2004
by Pat Bailey
How high-speed broadband Internet is changing the course of digital video.
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December, 2003
by Bill Davis
Understanding the hidden meanings of transition effects.
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December, 2003
by Jim Stinson
In quality videos, camera angles enhance the style of the program
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May, 2004
by Pat Bailey
Examining the scope of the North American broadcast video standard.
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September, 2004
by Hal Robertson
Understanding the language of digital audio.
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December, 2004
by Charles Fulton
The camcorder that works for you might not be what works for someone else. What do you really need?
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October, 2004
by Bill Davis
Video has come a long way, baby, but its history is a short one. We’ve got ten fun facts you might not know about video.
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February, 2005
by Bill Davis
When random pictures come together to create a single compelling collection.
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April, 2005
by Brian Schaller
Camera moves can make your project look super professional or incredibly amateurish depending on how well you use them.
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June, 2005
by Jim Stinson
Planning for post-production will re-focus your vision of the program you want and then help you create it with the material you've got.
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September, 2005
by Randy Hansen
"Shoot to Show" and "Shoot to Edit" are two different styles requiring different methods of planning. No one knows these techniques better than a run-and-gun&he…
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January, 2006
by Morgan Paar
Quick Focus