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May, 2008
by Matthew York
The Word Film
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August, 2007
by Matthew York
Joy and Pain
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February, 2006
by Matthew York
How are TV and Video Different?
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January, 2006
by Morgan Paar
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December, 2004
by Charles Fulton
The camcorder that works for you might not be what works for someone else. What do you really need?
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February, 2008
by The Editors
Reader's Letter
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July, 2007
by Morgan Paar
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June, 2006
by Matthew York
20 Years
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October, 2007
by Jennifer O'Rourke
Topical News
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September, 2005
by Randy Hansen
"Shoot to Show" and "Shoot to Edit" are two different styles requiring different methods of planning. No one knows these techniques better than a run-and-gun News Photographer.
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June, 2005
by Jim Stinson
Planning for post-production will re-focus your vision of the program you want and then help you create it with the material you've got.
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May, 2005
by Matthew York
Why do People Like Stories?
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April, 2005
by Brian Schaller
Camera moves can make your project look super professional or incredibly amateurish depending on how well you use them.
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February, 2005
by Bill Davis
When random pictures come together to create a single compelling collection.
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March, 2008
by Peter John Ross
Every blockbuster movie has hundreds or even thousands of edits, yet the viewer often is unaware of the cut. Why? In many cases, the change is very subtle, using a technique which is often known as a Natural Transition.
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November, 1994
by Stephen Jacobs
These often-overlooked parts of a production system have a major effect on your video and audio signals. We'll show you how to be a cable-savvy videomaker.
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August, 1996
by Mike Loehr
No video transition is so simple and inexpensive as the cut. And none is so powerful.
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May, 1995
by Mike Loehr
A History of Videotape Editing
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September, 1995
by Joe McCleskey
- Panasonic AG-456U
- Audio-Technica AT-MX341a SmartMixer
- Elite Video BVP-4 Broadcast Video Processor
- Rip-Tie CableCatch Velcro fastener
- Sony HMEAD professional Hi8 tapes
- JVC BM-H1300SU
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July, 1995
by Joe McCleskey
A look at the camcorder and its role in the course of human history.
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June, 1995
by Joe McCleskey
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February, 1996
by Mark Steensland
Join us for a look at the history of documentary film and videomaking, followed by a discussion of how you can shoot your own documentaries with professional results.
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September, 1997
by Joe McCleskey
Join us for a look at the camcorder's illustrious history -- complete with an easy-reference timeline of important dates.
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January, 1998
by Joe McCleskey
Check out these video "antiques" to appreciate what's available now.
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April, 1998
by Jim Stinson
Compare the style and technique of eight great film makers as we demonstrate what you can learn from the masters.
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April, 1998
by Joe McCleskey
They seemed like good ideas at the time
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September, 1998
by Joe McCleskey
Step back in time with video pioneer Roger Miller as he takes us on a guided tour that revisits the "old days" of home video equiopment. Your time machine awaits…
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February, 1999
by Matthew York
Learn the language of video from those who came before.
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April, 1999
by Matthew York
Video provides a feeling of accomplishment that's unparalleled by any other medium.
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June, 1995
by Stephen Muratore
Press Principles
RSS Feed
Viewfinder
Viewfinder: Joy and Pain
Viewfinder: How are TV and Video Different?
Quick Focus
Camcorders: The Needs of the Many
Viewfinder: 20 Years
Basic Training: Shoot to Show or to Edit
Edit The Plan: Part 3 of Production Planning
Basic Training: The 9 Classic Camera Moves
Video Editing : Tips for Editing Montages
Tutorial: Transitioning Naturally
Rewind: 10 Years Ago in Videomaker
Steal from the Best
Video Time Machine: A Look Back to Life Before Camcorders
Viewfinder: Study the Masters
Viewfinder: Why We Like Making Video