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by Morgan Paar
If a director, cinematographer, producer or uncle of the movie studio mogul tells you, "no worries... we'll fix it in post," tell them, "well, sure, we can... but it'll cost you."
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by Morgan Paar
From rough cut to finished product, you want to deliver the goods as cleanly as possible. Here are the Seven Steps to Creating an Excellent Polished Work.
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by The Editors
Computer Video Editing Terms
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by Jennifer O'Rourke
Having the Best Video Shooting Fun with the Videomaker Editors!
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by Kyle Cassidy
"Leave it on the cutting room floor" is an old film phrase signifying to edit out stuff you don't need. It's a good reminder to cut down your piece for a tighter final project.
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by Bill Davis
Is HDV really the next big thing? In potential for greatness, perhaps. In "file size" surprisingly not. But in "gotchas"... maybe.
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by Charles Fulton
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by Kyle Cassidy
Make sure your priceless family treasures don't get left behind. Here are some tips to turn your twentieth century celluloid into twenty-first century ones and zeros.
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by Bill Davis
How to Edit Videos Part 2: What makes the difference between basic editing and actual professional editing?
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by Bill Davis
Part 1: Growth, your tools and your space. Step 1: Clean up your act! If video editors desk is a home-office catch-all, the video editor is not using space effectively or time efficiently.
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by Edward B. Driscoll, Jr.
For anyone who's ever physically cut film on the splicing block of a Moviola, digital video editing is one of the great technological leaps of our time.
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by Morgan Paar
12th Annual Guide to Computer Video Products
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by D. Eric Franks
A tiny, light, straight-to-disk DV capture solution, ideal for editing in the field.
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by Heath McKnight
Finding the right tool to edit your masterpieces
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by Hal Robertson
Some audio recorded may be sounds you want, others might not. There are magical visual maps of the sounds you hear that allow you to remove and control all that noise.
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by Kyle Cassidy
Editing is an art, offering you hundreds of choices of cuts in every 30-frame second. The subtle J- and L-cuts are two of the most powerful, yet simple, transitions of all.
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by Brian Peterson
How to Give Your Audio That Pro Sound
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by Matthew York
How Easy Can It Get?
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by Brent Holland
With the ever increasing demand for quality and quick turn-around time, stock footage is fast becoming not just a simple convenience but rather a downright necessity.
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by Hal Robertson
Unless you're sitting in the middle of a soundproof room, the sounds of distant traffic noise, construction and aircraft are everywhere.