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April, 2008
by Brian Peterson
Getting the Most Out of Your Actors or Subjects
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March, 2008
by Hal Robertson
Voiceovers are the mainstays of advertising, instruction and promotional videos, television programs and feature films.
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April, 2007
by Dr. Robert G. Nulph
Physical comedy has been a hallmark of the film industry since the early days of the silent film.
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April, 2007
by Brian Peterson
Podcasting, vidcasting, vodcasting or whatever you call it, the Internet
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February, 2007
by Jim Stinson
Learn how to set the stage so that your subjects behave naturally in front of the camera.
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August, 2006
by Dr. Robert G. Nulph
One of the most difficult, important and rewarding things a director has to do is find, recruit and work with talent.
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June, 2006
by Dr. Robert G. Nulph
Multitasking when you are directing is not easy but sometimes necessary. Here are a few suggestions.
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May, 2006
by Morgan Paar
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February, 2006
by Bill Davis
(gales of laughter erupt on the set.) CUT! Somebody PLEASE help Jimmy untangle the rope from his foot, re-stack all those bottles of motor oil and, somebody wash off the cat... again.
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September, 2005
by Bud Elliott
Looking Good: Tips for the Director
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February, 2005
by Matthew York
Give Narrating a Try
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July, 2006
by Kyle Cassidy
Children love to make videos, all they need is the impetus and opportunity. So take the camera out of the closet on a lazy Sunday and say
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July, 1995
by Stephen Muratore
Video is Other People
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December, 1994
by Stuart Sweetow
Learn how an engaging voice over can add professionalism and impact to your videos. Whether you hire help or do it your self, it pays to find your video's voice.
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July, 1995
by William Ronat
Documentary? News magazine? Talk show? Sitcom? Here's how to choose an approach that will help your video get its message across clearly and effectively.
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September, 1995
by Jim Stinson
People
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January, 1995
by Jim Stinson
A prompter is a sure-fire way to add professionalism to your videos. Jim Stinson surveys the prompter field, from low-buck to high-tech.
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November, 1995
by Janis Lonnquist
Finding real talent for serious productions requires homework, planning and a little bit of patience. Here's how it's done.
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December, 1997
by Loren Alldrin
Find out what separates a bad on-camera presentation from a masterful one. With a little practice, you'll be on your way to shooting viewer-pleasing videos.
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January, 1998
by Randal K. West
Few people are comfortable when they face camcorders. This article explains how you can put Nervous Nellies and Difficult Dans at ease and encourage their best performance regardless of their expertise.
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November, 1998
by Jim Stinson
Simple tricks for editing complicated dialogue.
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June, 1999
by Dr. Robert G. Nulph
Faces present a special kind of lighting challenge to the videographer.
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December, 1999
by Bill Harrington
When the images alone dont tell the whole story: 10 tips for writing crisp and clear narration.
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February, 2000
by Alice Patterson
Instructional videos are popular with videographers and viewers, but without a clear approach you can feel lost
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March, 2000
by Joe Lamachia
Get the best performance from amateur talent using these 20 helpful hints for better directing.
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October, 2000
by Randal K. West
Directing isn't as easy as it looks. Here are some practical tips.
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August, 2000
by Jim Stinson
Light placement can have a dramatic impact on the faces you light.
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October, 2000
by Dr. Robert G. Nulph
Tips to help you create great lighting for your news set. Strategies for anchors, sports and the weather.
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July, 2001
by Don Collins
High-quality narration can be an invaluable asset to your video projects.
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August, 2001
by Dr. Robert G. Nulph
Basic three-point lighting techniques provide practical solutions to common lighting challenges.