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June, 2010
by Evan Burt
As amateurs, professionals or enthusiasts, buyers of consumer electronics often put a premium on bigger things like computers and cameras. But they sometimes…
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April, 2010
by Terry O'Rourke
Manufacturers seem to have different way of defining the word lux. But what is it, and how can you compare your camcorder's "lux level" to that of others?
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September, 2008
by Robert G. Nulph, Ph.D.
Lighting equipment used to be the one static aspect of video, but today new advances in lighting technology like LED lighting and lighting gel are changing…
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July, 2007
by Robert G. Nulph, Ph.D.
When you think about lighting, you probably think about your lights and where to place them. But what about the shadows?
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January, 2007
by Robert Nulph
Whether you're trying to improve an otherwise impossibly dark shot or add a little pop to an adequately lit scene, an on-camera light is a critical tool.
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September, 1996
by Jim Stinson
Light is the most essential element in videomaking. Here's how to make the best use of it.
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March, 2002
by Dr. Robert G. Nulph
The on-camera light can be a great tool, if you know how to use it.
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September, 2002
by Dr. Robert G. Nulph
Even in a small office studio, you can attain a variety of looks and moods for your video.
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January, 2003
by Dr. Robert G. Nulph
It's not just a theory: check out these pragmatic three-point lighting tips in action.
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April, 2003
by Jim Stinson
With lighting, you can create spectacular elements with little or no budget.
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June, 2003
by Jim Stinson
How to make the most of an on-board lamp.
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July, 2003
by Jim Stinson
Good lighting is the key to chromakey.
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October, 2003
by Jim Stinson
Mixed lighting isn't necessarily a disaster. Here are some pragmatic solutions for your next location shoot.
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December, 2003
by Jim Stinson
A few lights can cover a lot of action -- if you know how to use them.
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May, 2004
by Jim Stinson
Simple lighting makes cleaner, more natural images, while reducing production hassles.
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November, 2004
by Jim Stinson
Diffusion is invaluable for softening harsh light and creating natural-looking lighting designs.
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January, 2005
by Jim Stinson
Conventional three-instrument lighting makes more sense when you understand the reasons behind this classic method.
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June, 2005
by Jim Stinson
You can't tell the players without a scorecard, so here's the roster for video lights and what they do.
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September, 2005
by Jim Stinson
In order to light that night scene in the field a mile from your house, you'll need a couple hundred 50-foot extension cords, or some other AC power…
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October, 2005
by Jim Stinson
Virtual green screen sets are no longer just for the privileged Hollywood bigwigs.
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November, 2005
by Jim Stinson
Budget and creative lighting are just a couple reasons why you'd want to shoot with only one lighting instrument.
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January, 2006
by Jim Stinson
Natural lights sparkle, shimmer, flutter, flare, glimmer, gleam, revolve, reflect and radiate. Here's some tips to dazzle your viewers with lively photoplays.
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January, 2006
by Brian Peterson
Make your on-camera talent look their best by following these five simple steps.