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  • November, 2008
    In this DVD on video lighting, the experts at Videomaker teach lighting techniques so you can set up the best lighting environment for a video camera. Lessons on studio lighting & outdoor lighting will show you how to light videos like a professional videographer.
  • May, 2008
    by Kyle Cassidy
    Lighting can be extremely complicated. Some movie and TV shoots use dozens of lights to assure proper scene lighting. Here's a primer to help dispel the mystery.
  • September, 2007
    by Robert G Nulph, Ph.D.
    Lighting can make or break the mood of your video. If you wish to evoke suspense, tension or romance, then traditional three-point lighting isn't enough.
  • November, 2006
    by Dr. Robert G. Nulph
    Some folks consider it a tired cliche, but it's important to know how to set 3-point lighting, so you can work within or without this classic lighting style.
  • October, 2006
    by Dr. Robert G. Nulph
    We are entering a new era of video production. Our hard work will show in all its HD glory and our sloppy mistakes will glare in HD horror. But light can help us.
  • July, 2006
    by Dr. Robert G. Nulph
    No money for more lights? No problem! Here are sure-fire, no-power solutions to making your subject shine.
  • May, 2006
    by Dr. Robert G. Nulph
    We are entering a new era of video production. Our hard work will show in all its HD glory and our sloppy mistakes will glare in HD horror. But light can help us.
  • March, 2006
    by Jim Stinson
    In lighting, the most important aesthetic quality is mood: the feeling communicated by the lighting design.
  • January, 2006
    by Brian Peterson
    Make your on-camera talent look their best by following these five simple steps.
  • April, 2000
    by Dr. Robert G. Nulph
    Make your light kit do double duty for your next interview.
  • August, 2000
    by Jim Stinson
    Light placement can have a dramatic impact on the faces you light.
  • January, 2004
    by Jim Stinson
    For individual subjects, nothing beats the tried-and-true combo of key, fill and back lights. Classic three-point lighting (key, fill and back light) is sometimes dismissed as "yearbook lighting." True, it can look hokey in story videos, but whenever you have a narrator, a spokesperson, an interviewee or anyone who stays in one place and talks, three-point lighting is bullet proof.
  • April, 2004
    by Jim Stinson
    It's easy to light two people at once, whether with one light or eight.
  • May, 2004
    by Jim Stinson
    Simple lighting makes cleaner, more natural images, while reducing production hassles.
  • July, 2004
    by Jim Stinson
    Lighting to achieve a certain mood is easy if you work with three basic elements: key, contrast and color.
  • August, 2004
    by Jim Stinson
    The rugged and the glam.
  • October, 2004
    by Jim Stinson
    FROM: gaffertom@barndoor.com
    TO: goldilocks@beanbagstate.edu
    SUBJECT: Flower children wedding plan B