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August, 2011
by Terry O'Rourke
Properly lighting a low-key setup will entice your viewers to focus on key points in your scene, and wonder about those dark shadowy areas in the unknown.
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December, 2010
by Terry O'Rourke
Imagine light as being your paintbrush and your scene as your canvas. How heavy or soft you "paint" that light determines the dramatic focus of your canvas…
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December, 2009
by Terry O'Rourke
A basic 3 point lighting setup is a good place to start when lighting one person. Here are some lighting design ideas for lighting interviews using 3 points…
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November, 2009
by Kyle Cassidy
Don't have enough light? All is not lost-since we need light to see. There's lots of it around, finding light for video is easier than you think.
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November, 2009
by Terry O'Rourke
Three-point lighting has become the mainstay of video lighting. But if you want to add a bit of dramatic lighting, consider moving the fill to the key side,…
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July, 2009
by Terry O'Rourke
Learning to light products for video starts with learning how to "see" light and how it reacts to subjects. Light is to photography as paint is to an artist.
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June, 2009
by Kyle Cassidy
Making sure your video production lighting looks good all comes down to video lighting basics. The best place to start is with three-point lighting.
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May, 2008
by Kyle Cassidy
Lighting can be extremely complicated. Some movie and TV shoots use dozens of lights to assure proper scene lighting. Here's a primer to help dispel the…
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January, 2008
by Robert G. Nulph, Ph.D.
Did you ever notice that in the movies we never have a problem seeing a person's features while he's driving down the road? Even at night?
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September, 2007
by Robert G Nulph, Ph.D.
Lighting can make or break the mood of your video. If you wish to evoke suspense, tension or romance, then traditional three-point lighting isn't enough.
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July, 2007
by Robert G. Nulph, Ph.D.
When you think about lighting, you probably think about your lights and where to place them. But what about the shadows?
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March, 2007
by Robert G. Nulph, Ph.D.
Whether you're shooting a documentary, creating a scrapbook or shooting an object for a commercial - you will find a need for tabletop lighting techniques.
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November, 2006
by Dr. Robert G. Nulph
Some folks consider it a tired cliche, but it's important to know how to set 3-point lighting, so you can work within or without this classic lighting style.
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September, 1996
by Jim Stinson
Light is the most essential element in videomaking. Here's how to make the best use of it.
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December, 1995
by Jim Stinson
On with the Show!
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January, 1999
by Dr. Robert G. Nulph
Good lighting begins with a single lamp.
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February, 1999
by Dr. Robert G. Nulph
Use three-point lighting to set the mood, time of day and dramatic intensity of your productions.
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June, 1999
by Dr. Robert G. Nulph
Faces present a special kind of lighting challenge to the videographer.
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August, 1999
by Dr. Robert G. Nulph
Dramatic lighting can make the difference between an ordinary production and a great production.
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October, 1999
by Dr. Robert G. Nulph
Well-lit backgrounds don't just support your talent; they send subtle yet powerful messages to your audience.
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April, 2000
by Dr. Robert G. Nulph
Make your light kit do double duty for your next interview.
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June, 2000
by Dr. Robert G. Nulph
Lighting, like sound, can be used to create a false reality for your audience.
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August, 2000
by Jim Stinson
Light placement can have a dramatic impact on the faces you light.
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October, 2000
by Dr. Robert G. Nulph
Tips to help you create great lighting for your news set. Strategies for anchors, sports and the weather.
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December, 2000
by Dr. Robert G. Nulph
One scene, many moods. Let the lighting do the work.
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April, 2001
by Dr. Robert G. Nulph
Special tips to make your lighting projects safer and more effective.
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June, 2001
by Dr. Robert G. Nulph
With these techniques you can light scenes so they look as natural as the real world.
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October, 2001
by Dr. Robert G. Nulph
As important as set design and costumes, light positioning and intensity are integral scene setters.
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February, 2002
by Dr. Robert G. Nulph
Don't let imposing lighting conditions get you down, reflect that light to your advantage.
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March, 2002
by Dr. Robert G. Nulph
The on-camera light can be a great tool, if you know how to use it.