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  • September, 2008
    In this DVD on video lighting, the experts at Videomaker teach lighting techniques so you can set up the best lighting environment for a video camera. Lessons on studio lighting & outdoor lighting will show you how to light videos like a professional videographer.
  • March, 2008
    by Robert G. Nulph, Ph.D.
    Winter is waning, the snows are beginning to melt in the northern states and the sun is sticking around a little longer. However, the night still rules!
  • January, 2008
    by Robert G. Nulph, Ph.D.
    Did you ever notice that in the movies we never have a problem seeing a person's features while he's driving down the road? Even at night?
  • July, 2007
    by Robert G. Nulph, Ph.D.
    When you think about lighting, you probably think about your lights and where to place them. But what about the shadows?
  • May, 2007
    by Robert G. Nulph, Ph.D.
    Sometimes you only have one available light. Other times, you chose to use one light for effect. It's not what, but how you use it that makes your video shine.
  • March, 2007
    by Robert G. Nulph, Ph.D.
    Whether you're shooting a documentary, creating a scrapbook or shooting an object for a commercial - you will find a need for tabletop lighting techniques.
  • October, 2006
    by Brian Peterson
    Wrinkles, pores and blemishes disappear in five simple steps.
  • July, 2006
    by Michael Reff
    How to use movement, lighting, and filters, to make a video look like film.
  • March, 2006
    by Jim Stinson
    In lighting, the most important aesthetic quality is mood: the feeling communicated by the lighting design.
  • December, 2005
    by Jim Stinson
    Lighting accessories can be as easy to make as a trip to the local hardware store.
  • October, 2005
    by Jim Stinson
    Virtual green screen sets are no longer just for the privileged Hollywood bigwigs.
  • August, 2005
    by Jim Stinson
    Lights mounted on camcorders are fairly crude and often frustrating; but there are times when you just gotta have 'em.
  • July, 2005
    by Jennifer O'Rourke
    Glossary of lighting terms used by videographers.
  • January, 2005
    by Jim Stinson
    Conventional three-instrument lighting makes more sense when you understand the reasons behind this classic method.
  • December, 2004
    by Jim Stinson
    Making day resemble night on your screen means tinting the overall images blue, then adding white light, and adjusting contrtast and brightness to sell the trick.
  • November, 2004
    by Jim Stinson
    Diffusion is invaluable for softening harsh light and creating natural-looking lighting designs.
  • October, 2004
    by Jim Stinson
    FROM: gaffertom@barndoor.com
    TO: goldilocks@beanbagstate.edu
    SUBJECT: Flower children wedding plan B
  • May, 2008
    by Kyle Cassidy
    Lighting can be extremely complicated. Some movie and TV shoots use dozens of lights to assure proper scene lighting. Here's a primer to help dispel the mystery.
  • September, 2007
    by Robert G Nulph, Ph.D.
    Lighting can make or break the mood of your video. If you wish to evoke suspense, tension or romance, then traditional three-point lighting isn't enough.
  • November, 2006
    by Dr. Robert G. Nulph
    Some folks consider it a tired cliche, but it's important to know how to set 3-point lighting, so you can work within or without this classic lighting style.
  • September, 1996
    by Jim Stinson
    Light is the most essential element in videomaking. Here's how to make the best use of it.
  • December, 1995
    by Jim Stinson
    On with the Show!
  • June, 1999
    by Dr. Robert G. Nulph
    Faces present a special kind of lighting challenge to the videographer.
  • August, 1999
    by Dr. Robert G. Nulph
    Dramatic lighting can make the difference between an ordinary production and a great production.
  • October, 1999
    by Dr. Robert G. Nulph
    Well-lit backgrounds don't just support your talent; they send subtle yet powerful messages to your audience.
  • June, 2000
    by Dr. Robert G. Nulph
    Lighting, like sound, can be used to create a false reality for your audience.
  • August, 2000
    by Jim Stinson
    Light placement can have a dramatic impact on the faces you light.
  • October, 2000
    by Dr. Robert G. Nulph
    Tips to help you create great lighting for your news set. Strategies for anchors, sports and the weather.
  • December, 2000
    by Dr. Robert G. Nulph
    One scene, many moods. Let the lighting do the work.
  • June, 2001
    by Dr. Robert G. Nulph
    With these techniques you can light scenes so they look as natural as the real world.

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