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January, 2001
by Gene Bjerke
Learn how to use your lens to create and control depth of field.
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March, 2001
by Mark Bosko
Learn the language of editing and edit like the pros.
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July, 2001
by Bill Davis
Learn proper composition and framing techniques to enhance the emotional content of your video proojects.
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August, 2001
by Jim Stinson
Learn how to apply four major directing tools: point of view, composition, perspective and movement.
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November, 2001
by Jim Stinson
Good video composition doesn't require years of artistic training. Fluency in some basic axioms will suffice.
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November, 2001
by Bob Stephenson
Learn the fundamentals of macro photography and use the results to spruce up your video projects.
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March, 2002
by Donald W. Smith
How to control the depth of field so your subject stands out sharply.
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July, 2002
by Jim Stinson
Good composition requires more than just a high-quality camcorder and some nice scenery. There are rules.
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September, 2002
by Jim Stinson
An in-depth look at seven suspect shots you should avoid when shooting your footage.
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November, 2002
by Jim Stinson
While shooting video, consider the edit that lies ahead. Keep coverage, continuity and cutability in mind.
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October, 2002
by Charles Fulton
Glossary of Video Production Terms
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November, 2002
by Jim Stinson
Choosing the right point of view for each camcorder setup can be a mysterious process when you're new to the game.
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February, 2003
by Brian Pogue
Composition is one of the most fun and accessible aspects of videography.
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April, 2003
by Dr. Robert G. Nulph
Shooting great looking video can be as simple as solving a few problems with composition.
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June, 2003
by Michael Hammond
Put the
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September, 2003
by Dave Tainer
If your work will be viewed on the Internet, you need to shoot with compression in mind.
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September, 2003
by Bill Mauger*
In the jungles of Indonesia, you don't have the same level of control that you have in the studio, but the shot is still the same.
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February, 2004
by Morgan Paar
Pragmatic, inexpensive ways you can make your video look more like film.
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May, 2004
by Gene Bjerke
Focus is much more than just getting a technically sharp image.
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August, 2004
by Garret C. Maynard
In order to call yourself a professional videographer you need equipment, clients and a good reputation.
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May, 2005
by Jennifer O'Rourke
Have you ever wanted to wrestle a camcorder away from Uncle Buck while at a family function or public event and scream into the lens, "What are you THINKING!!??…
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November, 2005
by Jim Stinson
Wide-angle and telephoto lenses render images differently from the way we naturally see things. Skilled videographers can exploit these differences to create…
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September, 2004
by Garret C. Maynard
Available light can be all you need if you patiently think through your options and wisely exploit the location.
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October, 2004
by Marshal Rosenthal
The Ins and Outs of Manual Control.
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February, 2005
by Kyle Cassidy
Give some pizzazz to your videos with a few simple techniques.
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June, 2005
by Kyle Cassidy
When one shot flows into another seemingly seamlessly, you've got the makings of good shot composition.
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September, 2005
by Randy Hansen
"Shoot to Show" and "Shoot to Edit" are two different styles requiring different methods of planning. No one knows these techniques better than a run-and-gun…
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July, 2008
by Brian Peterson
Shooting video to look like film
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December, 2007
by Kyle Cassidy
Shooting for widescreen doesn't mean just shooting wider. It's how to creatively get your entire subject in frame and what will be lost if viewed on a 4:3…
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October, 2006
by Kyle Cassidy
Beauty might be in the eye of the beholder, but a great photo is due to well-executed and thought-out composition. Take your seats, it's time for the…