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June, 2011
by Jennifer O'Rourke
Vacation videos don't have to bore your viewers - you just need to understand how to edit while you're shooting on location.
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March, 2011
by Mike Sullivan
Yes, the tools to create green screen composites have changed and, yes, it is cheaper and easier to produce green screen FX shots, but that doesn't mean it is…
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February, 2011
by Kyle Cassidy
Video is one of the most predominant story-telling mediums today. It only stands to reason that children will want to learn how to record and produce video…
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November, 2010
by Mark Holder
If you're looking for near-prosumer performance on a sub-prosumer budget then you'll want to have a serious look at the Sony NEX-VG10.
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October, 2010
by Michael Reff
So you have questions, problems. Do not fear. First, you must gaze...deep..., deeper into my lens. Things are getting blurry, you are having trouble focusing&he…
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September, 2010
by Kyle Cassidy
In video production, every time you break the rules, you take the viewer outside of the viewing experience to puzzle over what just happened instead of simply…
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July, 2010
by Kyle Cassidy
Remember the TV ad raving about a brand of audio tape challanging us to guess whether it was live or tape? Now you go to the movies and wonder, "Is it film or…
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January, 2010
by Jennifer O'Rourke
There's no problem videotaping your own children or those that you personally know, but what if you have a need to shoot children on a playground or in a…
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January, 2010
by Marshal M. Rosenthal
Since cell phone video recorders shoot at fairly low resolutions, it's important to try and remove potential problems before they can occur.
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October, 2009
by Michael Reff
For an image to be exciting, it has to move! Right? Things need to be constantly changing and adjusting. Pictures flying in and out, angles adjusting and…
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March, 2009
by Kyle Cassidy
Some photographers and videographers have a Natural Eye that composes shots and scenes all around them, even when they aren't holding a camera. You know you…
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July, 2008
by James Williams
Nature created it; visual artists follow it. Using aesthetically-pleasing framing creatively draws your viewer into your shot composition.
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January, 2008
by Kyle Cassidy
Knowing the technical workings of your camera is half the battle of shooting a good video. Understanding good composition can really give your work some pizazz.
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August, 2007
by the Editors
Readers' letters
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August, 1996
by Jim Stinson
You don't have to be George Gershwin to be a great composer. Just carefully arrange your video scenes, and you'll achieve visual harmony.
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December, 1994
by Jim Stinson
There's more to a camcorder lens than meets the eye. Learn how the camcorder lens is made, how it works and, most importantly, how it affects your image.
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April, 1997
by Stephen Muratore
We're not talking music videos here; we're talking visual music.
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August, 1997
by Donald Keller
In Box
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October, 1997
by Rob Sheppard
Framing your video images helps your viewers see what you want them to see and understand what you want them to understand. In this article, you'll learn the&he…
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December, 1997
by Karen Director
In Box
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February, 1998
by Dave Welton
Put yourself in control of your camcorder's automatic features.
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November, 1998
by Gene Bjerke
The telephoto lens is full of possibilities and dangers. Learn the basics of telephoto shooting, including when to use a telephoto setting, and how it works.
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June, 1999
by Arthur Aiello
Attention to framing will make any video more interesting.
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June, 1999
by Chuck Peters
This handy template will help you compose shots with greater impact.
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January, 2000
by Joe McCleskey
Forget expensive software, you can create these cool special effects inside your camcorder.
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June, 2000
by Arthur Aiello
Good shot composition is at the heart of attractive video.
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July, 2000
by Chuck Peters
Learn the answers to some common camcorder conundrums.
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October, 2000
by Mark Bosko
Learn to shoot video with the mind of an editor and your editing will be faster, easier and a lot more fun.
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January, 2001
by Gene Bjerke
Learn how to use your lens to create and control depth of field.
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March, 2001
by Mark Bosko
Learn the language of editing and edit like the pros.