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July, 2000
by Chuck Peters
Learn the answers to some common camcorder conundrums.
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September, 2000
by Arthur Aiello
The space-time continuum used to be the sole domain of science-fiction writers.Today it is the playground of the videographer.
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December, 2000
by John Davis
Learn how the technology behind image stabilization actually works
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May, 2001
by Bill Davis
Learn the basic camera moves and terminology so you can direct and shoot like a pro.
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July, 2001
by Jim Stinson
Learn how to capture small, stationary objects on tabletop sets.
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August, 2001
by Jim Stinson
Learn how to apply four major directing tools: point of view, composition, perspective and movement.
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January, 2002
by Jim Stinson
Practical advice to help you shoot smooth, steady footage with or without a stabilizing device.
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February, 2002
by Jim Stinson
By creatively using the edge of the frame, you can produce all sorts of trick video photography.
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April, 2002
by Jim Stinson
A bit of pre-planning can save you time and money.
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July, 2002
by Jim Stinson
Good composition requires more than just a high-quality camcorder and some nice scenery. There are rules.
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September, 2002
by Jim Stinson
An in-depth look at seven suspect shots you should avoid when shooting your footage.
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October, 2002
by Jim Stinson
Pivots, pans, tilts and zooms--learn to generate camera moves that work for you.
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November, 2002
by Jim Stinson
While shooting video, consider the edit that lies ahead. Keep coverage, continuity and cutability in mind.
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October, 2002
by Charles Fulton
Glossary of Video Production Terms
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March, 2003
by Michael Kuhlman
Put an end to shaky shots.
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April, 2003
by Dr. Robert G. Nulph
Shooting great looking video can be as simple as solving a few problems with composition.
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June, 2003
by Michael Hammond
Put the
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May, 2003
by Dr. Robert G. Nulph
Steady your shots withh these handy tips.
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September, 2003
by Dave Tainer
If your work will be viewed on the Internet, you need to shoot with compression in mind.
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November, 2004
by Jim Stinson
Tripods, stabilizers, dollies and booms deliver the jiggle-free shots that professionals demand.
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January, 2004
by Michael Fitzer
Shoot and edit your own transition effects.
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February, 2004
by William Ronat
Avoid these 10 mistakes to shoot like a pro.
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March, 2004
by Dr. Robert G. Nulph
An image stabilizer primer.
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May, 2006
by Jim Stinson
When you want a moving shot, you have all kinds of options, including a few that you might not have thought of before.
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January, 2005
by Jim Stinson
The world is full of rolling stock, just waiting for you to ride it while you shoot amazing moving shots.
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May, 2005
by Jennifer O'Rourke
Have you ever wanted to wrestle a camcorder away from Uncle Buck while at a family function or public event and scream into the lens, "What are you THINKING!!??…
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January, 2005
by Matthew David Wachsman
High definition video gives more to the viewer, but it asks more of the shooter. What do you need to know to begin?
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January, 2005
by Dr. Robert G. Nulph
All the tricks and techniques of in-camera effects that take your ho-hum video from the ordinary to the brilliant with these savvy shooter's tips.
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July, 2005
by Jenny Hanson
Videographers rely heavily on tripods to get smooth, steady and level images. While essential, they can be a hassle when there's no time for setup.
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July, 2005
by Bill Davis
The Civil War not only changed American history forever, but it changed the future world of video editing.