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December, 2009
by Nathan Beaman
In 35mm adapters, the ground glass often moves in order to simulate a film grain look, and to minimize the presence of the ground glass texture in your image.
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August, 2009
by Kyle Cassidy
Learn to develop a variety of basic camera movement techniques to move your audience when the scene calls for a tilt, pan, zoom, pedestal ,dolly, or truck.
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February, 2009
by Paul Del Vecchio
Known as 'The Ken Burns Effect', the Pan and Scan technique has become the norm when combining still photos with your moving images. Step-by-Step tutorial.
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April, 2008
by Brian Peterson
Nothing screams 'amateur' like shaky and jerky video. Sure, there are times when you want to keep the camera moving, even erratically, but for the other 95%...
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April, 2008
by Robert G. Nulph, Ph.D.
Documentaries are about real people in real places doing real things. Documentaries were the first films ever made.
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February, 2008
by The Editors
Reader's Letters - Young Video Producers; Upgrading the Reader on the Changing Technologies; Double Credit; Shooting Steadier Handheld Shots.
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January, 2008
by Michael Reff
A pro's look at holding your camera. There’s a lot of different ways to support your camera while shooting, many of which don't need the death grip to…
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August, 2007
by Kyle Cassidy
So you know about medium shots, wide shots, closeups and even extreme closeups. But why do your videos still lack that special zing?
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July, 2007
by Robert G. Nulph, Ph.D.
Whether it's shooting a wedding, baseball game, church service or two-person interview, shooting it with more than one camera can be a time-saving and very…
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June, 2007
by Kyle Cassidy
Oh, no! Not the vacation videos! It's time to teach your family amp; friends how to make interesting, entertaining and watchable summer vacation videos.
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December, 2006
by Jennifer O'Rourke
My 'Pod - When is a 'pod not a tripod? When it's a monopod, of course. When does a monopod have one leg and three feet? When it's the 560B by Manfrotto.
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November, 2006
by Kyle Cassidy
Artists, athletes and entertainers all know that the best way to become the best at what you do is to practice as often as you can. Why shouldn't video…
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July, 2006
by Brian Schaller
It's not just the newlyweds making wedding promises. Before you say
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July, 2006
by Michael Reff
How to use movement, lighting, and filters, to make a video look like film.
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May, 2006
by Jim Stinson
When you want a moving shot, you have all kinds of options, including a few that you might not have thought of before.
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May, 2006
by James DeRuvo
At best, a person is a very unstable bipod with two legs and too many moving parts. A decent tripod will cost you a bit of money, but this tripod buyer's guide…
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April, 2006
by Randal K. West
It's April Fool's Day, and what better way to amuse your friends than getting a little giddy with the camera and going a little wacko with your video?
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September, 2005
by Randy Hansen
"Shoot to Show" and "Shoot to Edit" are two different styles requiring different methods of planning. No one knows these techniques better than a run-and-gun&he…
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July, 2005
by Jenny Hanson
Videographers rely heavily on tripods to get smooth, steady and level images. While essential, they can be a hassle when there's no time for setup.
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July, 2005
by Bill Davis
The Civil War not only changed American history forever, but it changed the future world of video editing.
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June, 2005
by Brian Peterson
Solid as a Rock - A solid foundation for good video production should be built on, well, a solid foundation. And investing in a sturdy tripod is one...
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May, 2005
by Jennifer O'Rourke
Have you ever wanted to wrestle a camcorder away from Uncle Buck while at a
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April, 2005
by Brian Schaller
Camera moves can make your project look super professional or incredibly amateurish depending on how well you use them.
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January, 2005
by Jim Stinson
The world is full of rolling stock, just waiting for you to ride it while you shoot amazing moving shots.
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January, 2005
by Matthew David Wachsman
High definition video gives more to the viewer, but it asks more of the shooter. What do you need to know to begin?
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January, 2005
by Dr. Robert G. Nulph
All the tricks and techniques of in-camera effects that take your ho-hum video from the ordinary to the brilliant with these savvy shooter's tips.
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November, 2004
by Jim Stinson
Tripods, stabilizers, dollies and booms deliver the jiggle-free shots that professionals demand.
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March, 2004
by Dr. Robert G. Nulph
An image stabilizer primer.
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February, 2004
by William Ronat
Avoid these 10 mistakes to shoot like a pro.
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January, 2004
by Michael Fitzer
Shoot and edit your own transition effects.