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October, 2006
by Dr. Robert G. Nulph
We are entering a new era of video production. Our hard work will show in all its HD glory and our sloppy mistakes will glare in HD horror. But light can help us.
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September, 2006
by Dr. Robert G. Nulph
From yellow to blue, soft to harsh, indoor or out, the "color" of the scene changes with your light setup, and can influence the mood of your video.
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May, 2006
by Dr. Robert G. Nulph
We are entering a new era of video production. Our hard work will show in all its HD glory and our sloppy mistakes will glare in HD horror. But light can help us.
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April, 2006
by Julie Camenisch
An informational buyer's guide helping you choose and use the best type of lighting for your productions
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October, 2005
by Jim Stinson
Virtual green screen sets are no longer just for the privileged Hollywood bigwigs.
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July, 2005
by Jim Stinson
Coloring your video world with light is more than just turning on a few lamps and setting a good white balance - light is often a mixed bag.
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June, 2005
by Jim Stinson
You can't tell the players without a scorecard, so here's the roster for video lights and what they do.
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February, 2000
by Dr. Robert G. Nulph
How to use color-correcting gels to fine tune your lighting.
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February, 2001
by Dr. Robert G. Nulph
Learn how to use gels and filters to get great light quality in every situation.
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August, 2002
by Dr. Robert G. Nulph
Knowing the physical differences between outdoor, indoor and mixed lighting conditions will help your videos.
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October, 2003
by Michael Hammond
Understanding white balance and color temperature.
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October, 2003
by Jim Stinson
Mixed lighting isn't necessarily a disaster. Here are some pragmatic solutions for your next location shoot.
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November, 2003
by Jim Stinson
Assemble a three-light kit for $100; a complete outfit for less than $200.