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October, 2008
The Sony HVR-V1U is one of the most anticipated cameras from Sony's Broadcast division.
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October, 2008
Oh, no! Not the vacation videos!
Its time to teach your family and friends how to make an interesting, entertaining and watchable video journal of their summer vacation.
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September, 2008
by Kyle Cassidy
Why would we want to concentrate on white when we shoot in color? Because incandescent, fluorescent and sunlight differ a lot, proving that white isn't always white.
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April, 2008
by Robert G. Nulph, Ph.D.
Documentaries are about real people in real places doing real things. Documentaries were the first films ever made.
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October, 2006
by Dr. Robert G. Nulph
We are entering a new era of video production. Our hard work will show in all its HD glory and our sloppy mistakes will glare in HD horror. But light can help us.
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September, 2006
by Dr. Robert G. Nulph
From yellow to blue, soft to harsh, indoor or out, the "color" of the scene changes with your light setup, and can influence the mood of your video.
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May, 2006
by Randal K. West
Considered an art form by many, documentary video production has its own special challenges and rewards. In this second of three parts on how to make a documentary, we'll explore how to plan your approach, find your subject and begin the process of bringing your vision to fruition.
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January, 2006
by Brian Peterson
Make your on-camera talent look their best by following these five simple steps.
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September, 2005
by Jim Stinson
In order to light that night scene in the field a mile from your house, you'll need a couple hundred 50-foot extension cords, or some other AC power alternatives.
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July, 2005
by Jim Stinson
Coloring your video world with light is more than just turning on a few lamps and setting a good white balance - light is often a mixed bag.
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March, 2005
by Kyle Cassidy
Your color creation palette is limited only to the imagination when you understand how
to use the simple video filters in your editing software.
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December, 2004
by Jim Stinson
Making day resemble night on your screen means tinting the overall images blue, then adding white light, and adjusting contrtast and brightness to sell the trick.
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December, 2004
by Jim Stinson
Assemble your own lighting kit--at one-fifth the cost.
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May, 2006
by Dr. Robert G. Nulph
We are entering a new era of video production. Our hard work will show in all its HD glory and our sloppy mistakes will glare in HD horror. But light can help us.
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April, 2006
by Julie Camenisch
An informational buyer's guide helping you choose and use the best type of lighting for your productions
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October, 2005
by Jim Stinson
Virtual green screen sets are no longer just for the privileged Hollywood bigwigs.
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June, 2005
by Jim Stinson
You can't tell the players without a scorecard, so here's the roster for video lights and what they do.
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March, 1996
by Jim Stinson
If better-looking video is your goal, maybe it's time you took control.
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December, 1995
by David Brott
Video Q&A
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March, 1999
by Jim Martin
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August, 1999
by Loren Alldrin
Are your videos like a mixed load of laundry? White balance will let you show your true colors.
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November, 1999
by Mark Bosko
Controlling light to improve your image
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February, 2000
by Dr. Robert G. Nulph
How to use color-correcting gels to fine tune your lighting.
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April, 2000
by Arthur Aiello
When shooting outdoors, you should maintain control of the most important video component: light.
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November, 2000
by Dr. Robert G. Nulph
13 time-tested tips to get excellent footage and make the post-production process faster and easier.
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July, 2001
by Bruce Coykendall
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June, 2001
by Jim Stinson
A look at lighting and color concepts and some strategies for capturing the best possible images in all your videos.
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February, 2002
by D. Eric Franks
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May, 2002
by Jim Stinson
Use color as a creative tool, either while you shoot or in post-production, to create unique moods and effects.
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August, 2002
by Jim Stinson
The presence and location of manual camcorder settings play an important role in video production.