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  • October, 2008
    The Sony HVR-V1U is one of the most anticipated cameras from Sony's Broadcast division.
  • October, 2008
    Oh, no! Not the vacation videos! It’s time to teach your family and friends how to make an interesting, entertaining and watchable video journal of their summer vacation.
  • September, 2008
    by Kyle Cassidy
    Why would we want to concentrate on white when we shoot in color? Because incandescent, fluorescent and sunlight differ a lot, proving that white isn't always white.
  • April, 2008
    by Robert G. Nulph, Ph.D.
    Documentaries are about real people in real places doing real things. Documentaries were the first films ever made.
  • October, 2006
    by Dr. Robert G. Nulph
    We are entering a new era of video production. Our hard work will show in all its HD glory and our sloppy mistakes will glare in HD horror. But light can help us.
  • September, 2006
    by Dr. Robert G. Nulph
    From yellow to blue, soft to harsh, indoor or out, the "color" of the scene changes with your light setup, and can influence the mood of your video.
  • May, 2006
    by Randal K. West
    Considered an art form by many, documentary video production has its own special challenges and rewards. In this second of three parts on how to make a documentary, we'll explore how to plan your approach, find your subject and begin the process of bringing your vision to fruition.
  • January, 2006
    by Brian Peterson
    Make your on-camera talent look their best by following these five simple steps.
  • September, 2005
    by Jim Stinson
    In order to light that night scene in the field a mile from your house, you'll need a couple hundred 50-foot extension cords, or some other AC power alternatives.
  • July, 2005
    by Jim Stinson
    Coloring your video world with light is more than just turning on a few lamps and setting a good white balance - light is often a mixed bag.
  • March, 2005
    by Kyle Cassidy
    Your color creation palette is limited only to the imagination when you understand how to use the simple video filters in your editing software.
  • December, 2004
    by Jim Stinson
    Making day resemble night on your screen means tinting the overall images blue, then adding white light, and adjusting contrtast and brightness to sell the trick.
  • December, 2004
    by Jim Stinson
    Assemble your own lighting kit--at one-fifth the cost.
  • May, 2006
    by Dr. Robert G. Nulph
    We are entering a new era of video production. Our hard work will show in all its HD glory and our sloppy mistakes will glare in HD horror. But light can help us.
  • April, 2006
    by Julie Camenisch
    An informational buyer's guide helping you choose and use the best type of lighting for your productions
  • October, 2005
    by Jim Stinson
    Virtual green screen sets are no longer just for the privileged Hollywood bigwigs.
  • June, 2005
    by Jim Stinson
    You can't tell the players without a scorecard, so here's the roster for video lights and what they do.
  • March, 1996
    by Jim Stinson
    If better-looking video is your goal, maybe it's time you took control.
  • December, 1995
    by David Brott
    Video Q&A
  • March, 1999
    by Jim Martin
  • August, 1999
    by Loren Alldrin
    Are your videos like a mixed load of laundry? White balance will let you show your true colors.
  • November, 1999
    by Mark Bosko
    Controlling light to improve your image
  • February, 2000
    by Dr. Robert G. Nulph
    How to use color-correcting gels to fine tune your lighting.
  • April, 2000
    by Arthur Aiello
    When shooting outdoors, you should maintain control of the most important video component: light.
  • November, 2000
    by Dr. Robert G. Nulph
    13 time-tested tips to get excellent footage and make the post-production process faster and easier.
  • July, 2001
    by Bruce Coykendall
  • June, 2001
    by Jim Stinson
    A look at lighting and color concepts and some strategies for capturing the best possible images in all your videos.
  • February, 2002
    by D. Eric Franks
  • May, 2002
    by Jim Stinson
    Use color as a creative tool, either while you shoot or in post-production, to create unique moods and effects.
  • August, 2002
    by Jim Stinson
    The presence and location of manual camcorder settings play an important role in video production.