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  • October, 2008
    It's time to learn the advanced techniques in Composition!
  • October, 2008
    Manipulate your viewer into watching one portion of your movie, while other events continue in the scene!
  • August, 2007
    by the Editors
    Readers' letters
  • October, 2006
    by Kyle Cassidy
    Beauty might be in the eye of the beholder, but a great photo is due to well-executed and thought-out composition. Take your seats, it's time for the Advanced Class in Composing.
  • October, 2006
    by Tony Bruno
    How to manipulate the viewer into watching one portion of your movie, while other events continue along in the scene.
  • July, 2006
    by Jennifer O'Rourke
  • February, 2006
    by Kyle Cassidy
    If you visit a Hollywood film production, or sit through its credits, you know it takes busloads of people to get the production in the can. But what if you don't have access to busloads of people?
  • November, 2005
    by Jim Stinson
    Wide-angle and telephoto lenses render images differently from the way we naturally see things. Skilled videographers can exploit these differences to create effective shots.
  • January, 2005
    by Jim Stinson
    The world is full of rolling stock, just waiting for you to ride it while you shoot amazing moving shots.
  • January, 2005
    by Dr. Robert G. Nulph
    All the tricks and techniques of in-camera effects that take your ho-hum video from the ordinary to the brilliant with these savvy shooter's tips.
  • October, 2006
    by Matthew David Wachsman
  • August, 2006
    by Michael Fitzer
    A basic understanding of the rules of composition will help you frame for maximum impact and ultimately enhance the outcome of your finished piece.
  • June, 2005
    by Matthew York
    HDTV
  • April, 2005
    by Brian Schaller
    Camera moves can make your project look super professional or incredibly amateurish depending on how well you use them.
  • January, 2005
    by Matthew David Wachsman
    High definition video gives more to the viewer, but it asks more of the shooter. What do you need to know to begin?
  • March, 1996
    by Jim Stinson
    If better-looking video is your goal, maybe it's time you took control.
  • February, 1998
    by Dave Welton
    Put yourself in control of your camcorder's automatic features.
  • July, 1998
    by Karen Director
  • January, 2000
    by Arthur Aiello
    What do all those buttons do, anyway?
  • August, 2000
    by Arthur Aiello
    Making focus work to your advantage is a key part of producing good video.
  • January, 2001
    by Gene Bjerke
    Learn how to use your lens to create and control depth of field.
  • May, 2003
    by Michael Joseph Kelley
    Six Tips (and a Few Cautions) for Shooting Video at Night
  • September, 2003
    by Dave Tainer
    If your work will be viewed on the Internet, you need to shoot with compression in mind.
  • May, 2004
    by Gene Bjerke
    Focus is much more than just getting a technically sharp image.