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August, 1998
by Loren Alldrin
Hickory-dickory-doc, how come I keep hearing that clock? Tips for muffling those troublesome background noises when shooting interviews around the house.
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August, 1998
by Loren Alldrin
Simple tips for better sound from common shooting situations.
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October, 1998
by Loren Alldrin
Is your camcorder's auto-gain circuit giving you headaches? Here are someremedies.
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January, 1999
by Loren Alldrin
Make your videos sit up and speak with crisp, intelligible narration.
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July, 1999
by Jim Stinson
Match homemade sound effects to screen image using these time-tested Foley techniques.
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August, 1999
by Loren Alldrin
Be it back bedroom or empty warehouse, your studio can sound as good as it looks.
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October, 1999
by Loren Alldrin
What your viewers hear can be just as real as what they see.
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December, 1999
by Jim Stinson
By carefully matching picture and sound, you can make an otherwise boring video come alive.
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January, 2000
by Loren Alldrin
When it comes to video interviews, audio is king.
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February, 2000
by Loren Alldrin
How to get crisp, clean audio from the biggest sound-stage of all - the great outdoors.
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November, 2000
by Bill Harrington
Who says seeing is believing? With sound effects, hearing is believing.
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January, 2001
by John Davis
There's a world of difference between what your ears hear and what your microphone picks up.
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April, 2001
by Gene Bjerke
Bring the sound of Hollywood to your videos with tips and tricks of the Foley trade.
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June, 2001
by Joe McCleskey
To beginning editors it may seem that visuals are the determining factor in making edit decisions. The truth is that editing is often a process of matching…
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July, 2001
by Don Collins
High-quality narration can be an invaluable asset to your video projects.
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January, 2004
by Edward B. Driscoll, Jr.
Lead: How NFL Films created their unique style of football film editing. (and what you can learn from their experience).
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February, 2002
by Bruce Coykendall
Keeping the unwanted
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April, 2002
by Hal Robertson
Learn how to tackle the challenge of recording audio in a large room.
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July, 2002
by Hal Robertson
Use a variety of editing techniques to maximize the quality of your video sound.
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July, 2002
by Jim Stinson
You can shoot a television-style interview with a single camcorder and a little creativity.
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August, 2002
by Hal Robertson
A guide to keeping your audio levels consistent throughout your videos.
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October, 2002
by Hal Robertson
Use video tools to record and edit your own unique sound effects.
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November, 2002
by Hal Robertson
Spice up your audio soundtrack with some nifty special effects.
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February, 2003
by Hal Robertson
Room acoustics affect the sound of your recordings--both good and bad.
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March, 2003
by Hal Robertson
Tools and techniques to create high quality audio for your interviews.
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April, 2003
by Hal Robertson
Learning to deal with the elements as you shoot video.
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April, 2003
by Jim Stinson
With lighting, you can create spectacular elements with little or no budget.
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October, 2003
by Hal Robertson
Many video editing programs include a feature that allows you to adjust audio volume continuously throughout a clip. Premiere calls these rubber bands and they…
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September, 2003
by Jim Stinson
By anticipating your editor's needs and shooting footage to fulfill them, you can help create a better program--and a happier editor.
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November, 2003
by Hal Robertson
Using multiple microphones in your video production.