Placement Articles

• Lavalier Lessons
  October, 2010
  by Hal Robertson
  A terrific little audio accessory every videographer should have is a lavalier mic. They're good for many setups. Here are some lessons on using this versatile…
• Creating Sound Effects
  June, 2010
  by Hal Robertson
  The sound effects from the 1960s Star Trek TV show are the same as in the latest Trek movie. Why? Because you know them as well as the scent of grandma's…
• Hiding a Lavalier Mic
  November, 2009
  by Hal Robertson
  Hiding a lavalier mic is tricky business. You want the highest quality sound without actually seeing the microphone.
• Plosives and Sibilance
  May, 2009
  by Hal Robertson
  Using a combination of talent and recording techniques, along with some post-production tricks, you can create a clean, professional vocal recording.
• Charity Video
  August, 2007
  by Brian Schaller
  For aspiring video producers, it's always hard to find some interesting subject matter. Are you looking for an audience?
• Stage It!
  March, 2007
  by Kyle Cassidy
  Look, Ma!! I'm famous! The stage exists for one reason:
• Dual-Role Directing
  June, 2006
  by Dr. Robert G. Nulph
  Multitasking when you are directing is not easy but sometimes necessary. Here are a few suggestions.
• Sound Track: Audio Dubbing
  November, 1996
  by Loren Alldrin
  Thanks to the modern miracle of audio dubbing, you can make changes or add new sound to your videotape.
• Sound Track: Miking Basics
  September, 1996
  by Loren Alldrin
  There's more to choosing and using microphones than meets the ear. Here are some basic principles of miking for video.
• Sound Reasoning: Lavalier Lessons
  January, 1996
  by Gary Pillon
  Lavalier Lessons
• Camera Work: On with the Show!
  December, 1995
  by Jim Stinson
  On with the Show!
• Sound Reasoning: Sweet Sound of Matrimony
  December, 1994
  by Doug Polk
  Sweet Sound of Matrimony
• Sound Track: The External Advantage
  November, 1994
  by Doug Polk
• How to Record Better Sound
  November, 1997
  by Richard Oliver
  Like any other enthusiast, pros appreciate how simplicity can open up the creative floodgates. To get the best sound from your camcorder, listen up as a pro…
• Sound Track: The Invisible Mike
  January, 1998
  by Loren Alldrin
  Sometimes, mikes should be heard and not seen.
• Outdoor Video Sound ...ound ...ound ...ound
  May, 1998
  by Jim Stinson
  Aare wind, background noise and uneven mike levels giving you a pain in the plug? These tips will help you capture clean, clear, and consistent audio even when…
• Sound Track: Audio-torium
  June, 1998
  by Loren Alldrin
  How to get good audio from auditoriums, gyms and other sound-hostile environments.
• Videomaker Reaches the Non-commercial
  June, 1998
  by Bronwen Grady
  In Box
• Quiet in the House!: A (Floor) Plan for Better Audio
  August, 1998
  by Loren Alldrin
  Hickory-dickory-doc, how come I keep hearing that clock? Tips for muffling those troublesome background noises when shooting interviews around the house.
• Sound Track: Seven Studies in Superlative Sound
  August, 1998
  by Loren Alldrin
  Simple tips for better sound from common shooting situations.
• Sound Track: An Introduction to Microphonicus Videus
  September, 1998
  by Loren Alldrin
  A brief discourse on the behavioral patterns of the common video microphone.
• Record Crisp Interview Audio for a Better Production
  January, 2000
  by Loren Alldrin
  When it comes to video interviews, audio is king.
• Sound Track: Sounds of the Wild
  February, 2000
  by Loren Alldrin
  How to get crisp, clean audio from the biggest sound-stage of all - the great outdoors.
• Use Audio to Create Impression of Three Dimensions
  July, 2000
  by Dr. Robert G. Nulph
  Looking for ways to enhance your sound track? Consider adding depth and richness with stereo miking techniques.
• Sound Advice: Recording and Editing Narration
  July, 2001
  by Don Collins
  High-quality narration can be an invaluable asset to your video projects.
• Sound Advice: The Sweet Spot
  December, 2001
  by Hal Robertson
  Get the most out of your microphones by identifying and taking advantage of their best potential performance.
• Sound Advice: Auditorium Audio
  April, 2002
  by Hal Robertson
  Learn how to tackle the challenge of recording audio in a large room.
• Shooting an Interview TV-Style
  July, 2002
  by Jim Stinson
  You can shoot a television-style interview with a single camcorder and a little creativity.
• Sound Advice: Captured in Time
  September, 2002
  by Hal Robertson
  Getting audio cleanly from the camcorder to the computer is key to your production.
• Sound Advice: Audio on an Even Keel
  August, 2002
  by Hal Robertson
  A guide to keeping your audio levels consistent throughout your videos.