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April, 2002
by Hal Robertson
Learn how to tackle the challenge of recording audio in a large room.
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July, 2002
by Jim Stinson
You can shoot a television-style interview with a single camcorder and a little creativity.
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September, 2002
by Hal Robertson
Getting audio cleanly from the camcorder to the computer is key to your production.
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August, 2002
by Hal Robertson
A guide to keeping your audio levels consistent throughout your videos.
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October, 2002
by Hal Robertson
Use video tools to record and edit your own unique sound effects.
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March, 2003
by Hal Robertson
Tools and techniques to create high quality audio for your interviews.
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April, 2003
by Hal Robertson
Learning to deal with the elements as you shoot video.
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May, 2003
by Hal Robertson
Sometimes microphones should be heard and not seen.
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July, 2003
by Hal Robertson
Conquering the unique challenges of recording performance audio.
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September, 2003
by Hal Robertson
Make your list and check it twice.
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November, 2003
by Hal Robertson
Using multiple microphones in your video production.
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October, 2003
by Chuck Peters
What you hear is as important as what you see.
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February, 2004
by Hal Robertson
Recording production audio in your computer.
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July, 2004
by Chuck Peters
Audio Acquisition Terms
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March, 2004
by Joe McCleskey
Twelve tips for recording the spoken word.
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April, 2004
by Hal Robertson
Planning and creating stereo sound for your productions.
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May, 2004
by Hal Robertson
Adding surround sound to your videos with Dolby Digital.
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August, 2004
by Hal Robertson
Choosing the best microphone for your next video shoot.
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July, 2004
by Hal Robertson
Recording the few and far between.
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February, 2005
by Hal Robertson
Getting a handle on acoustics during your shoot.
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April, 2005
by Hal Robertson
A few simple tricks to find the best way to record and edit your narrator.
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June, 2005
by Hal Robertson
Waves crashing, seagulls screaming, kids laughing... all elements of natural sound that enhances every story and boosts the impact of your video.
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July, 2005
by James DeRuvo
A brief overview of microphones for the videographer.
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September, 2005
by Hal Robertson
There are many techniques to creating proper surround sound projects, but you don't have to invest your mortgage on a full-blown surround system to achieve…
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January, 2006
by Jennifer O'Rourke
In Box
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December, 2005
by Hal Robertson
From festive feasts to memorable moments, sound matters on holiday videos! These audio tips can help you make the most of the magiv of your cherished…
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February, 2006
by Kyle Cassidy
If you visit a Hollywood film production, or sit through its credits, you know it takes busloads of people to get the production in the can. But what if you…
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May, 2006
by Hal Robertson
Two minutes of extra work on the set or in the field can save you hours of headache in the edit bay. You just need to remember to do it.
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August, 2006
by Hal Robertson
Commercials, movie trailers, product and training videos all have one thing in common -- they often need a voiceover.
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April, 2006
by Hal Robertson
Using an off-board mic is a big step for many video producers but just using any old mic is not good enough. For the best sound, use the best mic for the…