Microphones Articles (Page 2)

• Microphones
• Placement

• How to Combine Multiple Signals and Still maintain Total Sound Control
  November, 1994
  by Glenn Calderone
  Everything you need to know about choosing and using an audio mixer for maximum sound control. Accompanied by Videomaker's annual roundup of audio mixers for…
• Sound Reasoning: Better Audio from Your Built-in Mike
  July, 1995
  by Doug Polk
  Better Audio from Your Built-in Mike
• Sound Reasoning: Recording Stereo Sound
  June, 1995
  by Doug Polk
  Recording Stereo Sound
• Sound Reasoning: The Great Outdoors
  January, 1995
  by Doug Polk
  The Great Outdoors
• Camcorder Sounds: Understanding What Your Audio Goes Through
  January, 1995
  by Doug Polk
  Do you know what an AGC is? How about depth multiplexing? If you don't know, you're in good company.
• Sound Reasoning: Sweet Sound of Matrimony
  December, 1994
  by Doug Polk
  Sweet Sound of Matrimony
• Sound Track: The External Advantage
  November, 1994
  by Doug Polk
• Found Sound
  April, 1996
  by Mark Steensland
  Sound effects have immense value in video production. The ability to re-create an "aural environment" after the shooting is done gives videomakers much more…
• Sound Track: Ten Common Audio Mistakes
  June, 1996
  by Jerry Whaley
  We've identified ten audio foibles that keep most video productions from sounding as good as they could.
• Film vs. Video Discussion
  June, 1997
  by Donald Keller
  In Box
• Stereo Sound is a Real possibility with Expert Miking
  July, 1997
  by Loren Alldrin
  How two mikes and a little know-how can open up a whole new panorama of sound in your videos.
• How to Record Better Sound
  November, 1997
  by Richard Oliver
  Like any other enthusiast, pros appreciate how simplicity can open up the creative floodgates. To get the best sound from your camcorder, listen up as a pro…
• Sound Track: The Invisible Mike
  January, 1998
  by Loren Alldrin
  Sometimes, mikes should be heard and not seen.
• Outdoor Video Sound ...ound ...ound ...ound
  May, 1998
  by Jim Stinson
  Aare wind, background noise and uneven mike levels giving you a pain in the plug? These tips will help you capture clean, clear, and consistent audio even when…
• Sound Track: Audio-torium
  June, 1998
  by Loren Alldrin
  How to get good audio from auditoriums, gyms and other sound-hostile environments.
• Videomaker Reaches the Non-commercial
  June, 1998
  by Bronwen Grady
  In Box
• Quiet in the House!: A (Floor) Plan for Better Audio
  August, 1998
  by Loren Alldrin
  Hickory-dickory-doc, how come I keep hearing that clock? Tips for muffling those troublesome background noises when shooting interviews around the house.
• Sound Track: Seven Studies in Superlative Sound
  August, 1998
  by Loren Alldrin
  Simple tips for better sound from common shooting situations.
• Sound Track: An Introduction to Microphonicus Videus
  September, 1998
  by Loren Alldrin
  A brief discourse on the behavioral patterns of the common video microphone.
• Sound Track: Narration Sensation
  January, 1999
  by Loren Alldrin
  Make your videos sit up and speak with crisp, intelligible narration.
• Sound Track: External Miking
  July, 1999
  by Loren Alldrin
  How a mobile mike can make your audio come alive.
• Music to Your Eyes
  November, 1999
  by Roy Sallows
  Turn a musical performance into a video masterpiece.
• Record Crisp Interview Audio for a Better Production
  January, 2000
  by Loren Alldrin
  When it comes to video interviews, audio is king.
• Sound Track: Sounds of the Wild
  February, 2000
  by Loren Alldrin
  How to get crisp, clean audio from the biggest sound-stage of all - the great outdoors.
• Use Audio to Create Impression of Three Dimensions
  July, 2000
  by Dr. Robert G. Nulph
  Looking for ways to enhance your sound track? Consider adding depth and richness with stereo miking techniques.
• Sound Track: Microphone Types
  August, 2000
  by Dr. Robert G. Nulph
  Everything you need to know to choose the right mike for any shooting situation.
• Sound Advice: Audio for Interviews
  February, 2001
  by Jim Stinson
  Good interviews require good audio. Here are some practical tips to help you get great sound.
• Audio Advice: Hidden Microphone
  April, 2001
  by Hal Robertson
  The art of recording audio in a manner inconspicuous to the viewer. In other words, you're hiding the microphone from the "eye" of the viewfinder.
• Sound Advice: Live-performance Audio
  June, 2001
  by Larry Lemm
  Achieving crisp, high-quality sound to compliment your live concert video merely takes a little planning.
• Sound Advice: Recording and Editing Narration
  July, 2001
  by Don Collins
  High-quality narration can be an invaluable asset to your video projects.