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October, 2011
by Peter Zunitch
How to Make a Ghost - You don't need any supernatural power to create a real video ghost, it's all in the production techniques and the storytelling art.
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October, 2011
by Peter Zunitch
Recording a voice over isn't like recording an interview or live action in the field. This is the sound that carries your video, and needs to be clear, concise,…
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October, 2011
by Dave Sniadak
In the video spectrum, technology has always reigned supreme. Video is going where early adopters probably never envisioned,into the clouds.
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September, 2011
by Heath McKnight
Many filmmakers and videographers are turning to 35mm adapters and interchangeable lenses to achieve a more cinematic look.
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September, 2011
by John Devcic and the Videomaker Editors
One of the biggest developments in the camcorder industry lately isn't about formats, recording media or 3D imaging, it's the ability to shoot a film-like…
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September, 2011
by Videomaker Editors
DSLR - Short for Digital Single Lens Reflex. Since all marketing departments these days love an acronym they decided that cameras needed a new one. The birth&h…
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September, 2011
by Marshal M. Rosenthal
Audio mixers and recording devices provide the missing link to great video productions - those days of monophonic mics and hiss-inducing analog mixers are…
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September, 2011
by Kyle Cassidy
Making video is expensive - not only do you have to have the best camera, but you need all that other stuff - mics, lights, tripods and a myriad of support&hell…
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September, 2011
by Hal Robertson
Curious video shooters checking out HDSLRs love the video capturing, but find audio gathering cumbersome. Here are some tips for HDSLR video and audio…
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September, 2011
by Earl Chessher
The term "director" can conjure images of someone with a megaphone, barking orders, looking harried and perhaps sweating profusely - even swearing.
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September, 2011
by Dan Bruns
With its extreme versatility, carefully machined aluminum and sleek design, Cinevate's Atlas 10 FLT is an incredibly useful piece of gear.
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September, 2011
by Jennifer O'Rourke
Whether you're interviewing your family for grandma and grandpa's 50th anniversary, the CEO of a business for a training video, or even a politician for a news…
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August, 2011
by Gary Tomsic
What You Can't See is What You Get
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August, 2011
by Kyle Cassidy
Imagine talking to your ancestors - the ones who "crossed the water", "traversed a continent", "built a dynasty" to get you where you are today. What would you…
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August, 2011
by Earl Chessher
When you need some otherworldly sound for your "Out of this World" project, think like Dorothy and you'll find everything you need is in your own backyard - or…
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August, 2011
by Terry O'Rourke
Properly lighting a low-key setup will entice your viewers to focus on key points in your scene, and wonder about those dark shadowy areas in the unknown.
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July, 2011
by Kyle Cassidy
Video is an exciting and prevalent part of everybody's lives. Entertainment, information, and more often, personal communications are being brought to us by…
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July, 2011
by Hal Robertson
Most editors grind their teeth when someone says,"don't worry we'll fix it in post", but fixing it in post are where audio tricks shine.
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July, 2011
by Earl Chessher
Most people aren't pros trained to appear on camera, so you need to learn successful tricks to getting your "talent" to say and do what you want - even without talent.
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July, 2011
by Jay Montana
Weddings are big business for videographers. But in an industry where most everyone relies on the same tried-and-true techniques, how do you stand out? By…
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June, 2011
by Kyle Cassidy
A collection of shots strung together can make a movie, but a good story will have shots that motivate the next shot in a powerful technique known as the Art…
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June, 2011
by Terry O'Rourke
Need to set up a lighting design that won't cost an arm and a leg? Whether you need incandescent bulbs, fluorescent lights or LED lighting, we'll show you the…
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June, 2011
by Jennifer O'Rourke
Vacation videos don't have to bore your viewers - you just need to understand how to edit while you're shooting on location.
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May, 2011
by Kyle Cassidy
Video editors have the fortunate ability to control time. You can move it faster, slow it down, and even stop the tide. The pace of space and time is limitless…
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May, 2011
by Hal Robertson
As a wedding shooter, you won't have the opportunity to choose the music for the wedding ceremony, but you can set the mood for all the video content you…
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April, 2011
by Hal Robertson
You got a contract to shoot a wedding - congratulations. You realize, though, that the audio is just as or even more important than the visuals, right?
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April, 2011
by Terry O'Rourke
LED Lighting is the lighting of choice for more videographers. Here's why.
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April, 2011
by Tyler Faires
With its small build the H1 is a perfect out-of-the-box unit for daily recording and small projects. If you are looking to record live events, office meetings,…
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March, 2011
by Marshal M. Rosenthal
Anyone who desires to direct a Hollywood-like movie on an independent budget can do so, now that green screen technology has become easier to produce.
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March, 2011
by Mike Sullivan
Yes, the tools to create green screen composites have changed and, yes, it is cheaper and easier to produce green screen FX shots, but that doesn't mean it is…