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March, 2012
by Mark Holder
For budget friendly, uber audio, check out the Zoom H2n Audio Recorder.
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November, 2011
by Ben Balser
How many times have you heard this: If a video is technically poor, the audience might forgive it, but if the audio suffers, the audience will walk.
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June, 2011
by J. Michael Long
Music is to video what icing is to cake! Sure you can eat a cake without frosting but you will not get the full effect of a delicious and attractive cake. The…
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April, 2011
by Tyler Faires
With its small build the H1 is a perfect out-of-the-box unit for daily recording and small projects. If you are looking to record live events, office meetings,…
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April, 2011
by Mike Houghton
The Shure X2u greatly simplifies connecting computers to any XLR mic. If you find you need to bridge the XLR to USB gap without involving multiple adapters and…
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March, 2011
by Derek Sine
The Intensity Shuttle is an easy-to-use affordable solution for capturing and playing back high-quality video, with an array of inputs and outputs, and a well-t…
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February, 2011
by Brent Holland
Sony Vegas Pro 10 is a powerful editing program and a worthy contender with enough features and control to suit any professional, but easy enough for beginners…
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January, 2011
by Doug Dixon
This is a great way to expand from playing your own music to recording, editing, and mixing your own productions.
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November, 2010
by Mark Holder
Whether you want transparency in your tracks or just a little character T-RackS 3 Deluxe delivers.
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November, 2010
by Robin Rowe
We took our query to the trenches to talk to some of the top film and television sound editors of today who spoke out about the tools they use and why.
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August, 2010
by Brian Peterson
Significant improvements to key performance areas make CS5 a must-have upgrade for serious video producers.
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February, 2010
by Mark Speer
Digidesign's upgraded Mbox series is a nice hearty platform for the audio editor looking to go pro but requires additional components to work best.
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August, 2009
by Mark Montgomery
A World-Class Composer for the Rest of Us. Abaltat Muse 2.0 gives visual editors a leg up on creating custom music scores in a simple, no-fuss interface.
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April, 2008
by Hal Robertson
Compression makes vocals easier to hear and volumes more consistent and brings out sounds that might get lost in a complicated mix.
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December, 2007
by Charles Fulton
New Gear: Dymo's DiscPainter prints labels onto a CD or DVD in about a minute at 600dpi..EX Super Fisheye conversion lens offers a 116' field of view.
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November, 2007
by Hal Robertson
When it comes to upping the quality of your audio, what's a cash-strapped producer to do? The entry point for any audio hardware or software seems to be around…
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November, 2007
by Brian Peterson
Audio Editing Made Simple
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October, 2007
by Hal Robertson
When you move into some serious sound editing, you just might need more robust audio tools than your camcorder and editing software supply. Welcome to the…
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October, 2007
by Tony Bruno
Your video is nearly perfect. The lighting is moody, the camera work is stellar and the framing is fantastic. Even your sound is crisp, clear and hiss-free
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September, 2007
by Mark Montgomery
A Cut Above
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August, 2007
by Hal Robertson
Cutting out the bad and combining the best ingredients to create a meal go far beyond the flavors of the individual elements. In audio and video, we call this…
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August, 2007
by Mark Montgomery
Video Industry News: Sanyo introduces the E1 waterproof camcorder. Blackmagic Design with 24-bit audio and RCA connectors. NYC YouTube meet-up makes buzz
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July, 2007
by Hal Robertson
When you begin to move into some serious sound editing, you realize you need more robust audio tools than your camcorder and editing software supply. Welcome…
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June, 2007
by Hal Robertson
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May, 2007
by Hal Robertson
Don't just edit it, improve it - with slick sound editing tricks to make your audio come alive.
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April, 2007
by Mark Montgomery
Bedrock of Music
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February, 2007
by Brent Holland
Getting inTunes for Your Video: A Review of the Stock 20 Nusic Library
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October, 2006
by Mark Montgomery
Settling the Score
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October, 2006
by Hal Robertson
Sampling Sound
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September, 2006
by Hal Robertson
Producers have a myriad of choices to manipulate the viewer via the ear. Style, ability to alter the score and your budget will dictate which option or options…