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Monitors

  • October, 2007
    by Heath McKnight
    Editing Hi Def video without an HD monitor is like editing blind
  • October, 2007
    by John Devcic
    Purchasing a monitor is no easy task. This buyer's guide is here to help you sift through all of the features and differences so you can make the best choice.
  • September, 2007
    by John Burkhart
    Marrying the Two
  • September, 2007
    by Hal Robertson
    Shooting within the confines of a live event can try the patience of Job. But pulling it off is heavenly joy.
  • May, 2007
    by Morgan Paar
    You know you have needed one for some time. Well, the time has come. You've gone long enough without that necessary tool for serious content creation: the production monitor.
  • May, 2007
    by Heath McKnight
    Time for our annual HDV issue, and we've broken our buyer's guides into 3 segments: HD & HDV Camcorders, Editing Software and Monitors.
  • October, 2006
    by Bill Davis
    Is HDV really the next big thing? In potential for greatness, perhaps. In "file size" surprisingly not. But in "gotchas"... maybe.
  • September, 2006
    by Edward B. Driscoll, Jr.
    The Big Four Of Television Technology
  • May, 2006
    by Bill Davis
    Is HDV really the next big thing? In potential for greatness, perhaps. In
  • October, 2005
    by Michael Fitzer
  • September, 2005
    by Michael Fitzer
    The FYI on NTSC, VGA and ATSC.
  • July, 2005
    by Morgan Paar
    Apple iMac G5
  • October, 2004
    by anyone 13th-repeat
    Dell Dimension XPS Turnkey
  • October, 2004
    by Bill Davis
    Controlling video brightness in your editing system.
  • June, 2007
    by Charles Fulton
    Near-Workstation Class
  • June, 2005
    by Matthew York
    HDTV
  • March, 2005
    by Bill Davis
    Feel the video world shaking? The first rumblings of the HDV shake-up are going to change the footings under the video production industry in the coming years.
  • October, 1996
    by Mike Loehr
    TVs, video monitors and computer monitors may look similar, but savvy videomakers know how they differ, and how to use them.
  • August, 1995
    by Doug Polk
    • Samsung SCX 904 8mm camcorder
    • Shure VP wireless microphone system
    • TM-900SU 9-inch Color Monitor
  • January, 1995
    by Doug Polk
    • Sony CCD-FX730V 8mm Camcorder
    • JVC TM-1400SU Video Monitor
    • JVC JX-T88 Character Generator
  • January, 1996
    by David Brott
    • Canon ES5000 Hi8 Camcorder
    • Panasonic PV-MP10 Color Video Printer
    • Toshiba Integrated Multimedia Monitor (TIMM)
  • January, 1996
    by Donald Keller
    A video monitor is more than just a large glass tube with a few knobs and buttons - it's a fascinating device that deserves a closer look. Understanding what makes a monitor work will help you get more from your videomaking.
  • February, 1998
    by Joe McCleskey
    • Samsung SCL90
    • Samsung SCL91
    • Fast Electronics DV Master IEEE 1394 FireWire
    • Panasonic Proline CT series
    • Lexmark 7200V Color Jetprinter
    • Videonics MXPro
    • Video Research SportsCam
    • FutureTel VideoSphinx Pro
    • Lawhide deposition system
    • TV One CORIOscan Pro
    • American Recorder Technologies CO-2 Dust and Particle Remover
  • November, 1998
    by Jim Martin
    • Canon Vistura
    • RCA L4000BC
    • Westcott speed rings
    • Supercircuits PC-57XP
    • Promise Technology DriveDefender
    • AKG Acoustics WMS 60
    • NRG Research 2CD-01
    • NRG Research 2CD-04
    • Classic Video Products SteadyTRACKER F-10
    • Frezzi Energy Systems Full Spectrum MA-50
    • Videonics Effetto Pronto
  • December, 1998
    by Jim Martin
    • Sony Ruvi
    • Canon ES7000V
    • Truevision video production workstation
    • Ulead VideoStudio
    • NUWAVE NVP 2.2
    • NRG Research Location Pro Lighting series
    • Canon XL Extra Wide-Angle 3x Zoom Lens
    • Proton NT-3860
  • August, 1999
    by Joe McCleskey
    What you see is what you get. Survey the makes, models and features of monitors for video in this handy buyer's guide.
  • September, 2002
    by Wendy Nichols
    • Apple 23-inch LCD Monitor
    • CyberLink PowerDirector Pro 2.0
    • AVI Sorcerer's Apprentice DV
    • Canon GL2 Mini DV Camcorder
    • Sonic Solutions MyDVD 4
    • Music2Hues Flagship Series production music
    • Ulead DVD Workshop
    • Hoodman Hoodskins LCD protectors
    • Lowepro Video Bags
    • Medea RTS-series disk arrays
  • September, 2002
    by Dr. Robert G. Nulph
    If you are taking the time to produce a video masterpiece, whether for fun or fame and fortune, you depend on your monitors to provide you with true, high-quality images. Whether you are considering a VGA computer monitor or NTSC production monitor, there are several characteristics to think about.
  • October, 2002
    by Wendy Nichols
    • MacroSystem US Casablanca Kron editing appliance
    • Viewcast Osprey 540 capture card
    • Innovators Co. Videomaster V1000 deposition system
    • Ultralink Products composite video to S-video conversion cable
    • Wildform Flix Lite Flash encoder
    • Canopus ADVC-100 media converter
    • Anthro Corp. Video Editing Console
    • TV One LTM-150X-DV color LCD monitor
    • Visual Infinity Grain Surgery for After Effects
    • Setwear Hothand gloves
  • September, 2003
    by D. Eric Franks
    Matrox Parhelia Multi-Display Card

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