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by Brian Peterson
Nothing screams
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by Andrew Burke
Ugrip, We Dig It
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by Brian Peterson
The stars of video production equipment are not tripods, dollies or jibs. That's not their role. They are meant to blend into the background, be sturdy and dependable and never have tantrums on set. Of course, they may be typecast into supporting roles, but replace that sturdy, fluid and dependable friend with a loose lackey, and all of a sudden, everything else doesn't seem to matter.
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by Charles Fulton
hot off the presses
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by Mike Stoll
Look, Ma, no hands! Taking your shooting to extreme levels has never been easier, with tinier cameras and easy-to-rig support gear - get ready to launch!
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by Charles Fulton
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by Andrew Burke
Renaissance Shooting (in Hi-Def)
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by Michael Fitzer
Getting Off the Tripod and into the Action with Camera Car Mounts.
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by Charles Fulton
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by Jennifer O'Rourke
My 'Pod
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by Charles Fulton
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by James DeRuvo
When you want to follow your super hero flying across the planet, you need more than a tripod to get that great action shot
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by Brent Holland
Indie-Dolly Systems Universal Dolly with Curved Track Kit
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by Charles Fulton
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by Morgan Paar
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by James DeRuvo
At best, a person is a very unstable bipod with two legs and too many moving parts. A decent tripod will cost you a bit of money, but this tripod buyer's guide will show you how to save your shot.
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by Andrew Burke
Manfrotto 745B/701RC Tripod Kit
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by Morgan Paar
The best consumer video production products of 2005, selected by the editors of Videomaker.
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by Charles Fulton
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by Morgan Paar