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June, 2000
by Jim Stinson
Discover the many uses of that all-purpose editing bandage, the cutaway.
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July, 2000
by Jim Stinson
Stuck shooting an event from just one vantage point? Not to worry, as an editor, you have an array of tricks to help create entertaining video anyway.
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August, 2000
by Jim Stinson
Learn to shoot and direct like a pro and the editing will be easy
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October, 2000
by Jim Stinson
Conquer editing in five major phases: organizing, assembling, enhancing, synthesizing and archiving.
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December, 2000
by Jim Stinson
How to select, time, process and transition music in your videos.
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November, 2000
by Jim Stinson
Fade, dissolve, wipe, flip, spin and more. A checklist for innovative transitions.
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December, 2000
by Don Collins
Learn how and when to use split edits to add meaning, depth and interest to your video productions.
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January, 2001
by Chuck Peters
Five Tips for In-Camera Transitions
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August, 2001
by Bill Davis
In a field as rapidly changing as video production, few "buzzwords" generate more interest than "compositing."
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November, 2001
by Bill Harrington
Knowing what messages your video's transitions send goes a long way in helping you choose the right effect.
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March, 2002
by Jim Stinson
Half a video director's job is picking the right camera angles. Here are five factors to help you position the camera effectively.
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February, 2002
by Scott Anderson
Today's powerful animation software can help you create dazzling animation productions.
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May, 2002
by Chuck Peters
A short list of things to leave out of your videos.
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December, 2002
by Brian Peterson
Cut the time you spend editing by trimming your clips before you import.
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December, 2002
by Charles Fulton
In Box
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January, 2003
by Jim Stinson
In-camera transitions are more effective, unique and fun than the sterile digital effects on your computer.
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March, 2003
by Bill Davis
Paying attention to the continuity can help you communicate clearly with your audience.
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September, 2003
by Dave Tainer
If your work will be viewed on the Internet, you need to shoot with compression in mind.
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July, 2003
by Brian Peterson
The world of transitions speaks a language we all understand--whether you realize it or not.
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December, 2003
by Bill Davis
Understanding the hidden meanings of transition effects.
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January, 2004
by Michael Fitzer
Shoot and edit your own transition effects.
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March, 2004
by Morgan Paar
For novice and intermediate editors, here are some tips to consider as you move towards editing perfection.
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June, 2004
by Charles Fulton
Computer Video Editing Terms
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August, 2004
by Garret C. Maynard
In order to call yourself a professional videographer you need equipment, clients and a good reputation.
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November, 2004
by Bill Davis
The split edit is one of the simplest and most powerful edits you should have in your toolbox.
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January, 2005
by Dr. Robert G. Nulph
All the tricks and techniques of in-camera effects that take your ho-hum video from the ordinary to the brilliant with these savvy shooter's tips.
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September, 2005
by Bill Davis
Tempis Fugit. If you're not up on conversational Latin, that's
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January, 2006
by Joe McCleskey
Gather 'round the family and friends for a multi-camera shoot and a fun time for all.
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October, 2005
by George Furukawa
Whether you're making movies, or corporate videos, in a virtual production world, having the right video effects are nowadays as important as acquiring that Big Name actor once was.
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December, 2005
by Bill Davis
And in the center ring: the amazing, the gigantic, the most impressive typography known to mankind... Ladies and Gentlemen! Feast your eyes on 3D titles!