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September, 1997
by Loren Alldrin
Uncover the secrets of successful sound with this feature chock full of tips for editing your audio.
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October, 1997
by Loren Alldrin
Twelve ways to improve your audio after you shoot.
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January, 1998
by Karen Director
In Box
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January, 1998
by Loren Alldrin
Don't buy sound effects, make your own! We'll show you how to create realistic sound effects using Hollywood style tricks to fool the ear.
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April, 1998
by Jim Stinson
Compare the style and technique of eight great film makers as we demonstrate what you can learn from the masters.
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March, 1998
by Loren Alldrin
Be on the lookout for the Federal Bureau of Editing Aesthetics' most wanted perpetrators. After you read this article, you won't be able to say you weren't…
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March, 1998
by Loren Alldrin
The story of one man, one woman and an audio mixer.
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May, 1999
by Chuck Peters
Make your video sizzle without sending it up in smoke.
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October, 1998
by Jim Stinson
The thought of producing the Great American Masterpiece comes easier than the actual production. Here are some clues that can help you realize your epic dream.
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October, 1998
by Loren Alldrin
Is your camcorder's auto-gain circuit giving you headaches? Here are someremedies.
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December, 1998
by Don Collins
Nonlinear editing is a powerful way to take your ideas and turn them into video. With its random-access approach, you can edit and re-edit your video until it…
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December, 1998
by Loren Alldrin
Combine multiple sound sources for a more powerful soundtrack.
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February, 1999
by Loren Alldrin
Thirteen tips for smooth, professional-sounding narration.
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March, 1999
by Loren Alldrin
You don't need a nonlinear editing system to turn out great-sounding videos.
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April, 1999
by Loren Alldrin
Better results from your digital audio editor.
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May, 1999
by Loren Alldrin
It's easy to build-up your soundtrack with music and special effects.
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July, 1999
by Jim Stinson
Match homemade sound effects to screen image using these time-tested Foley techniques.
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August, 1999
by Jim Stinson
Create vibrant videos using the appropriate tempo to keep your audience interested and asking for more.
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October, 1999
by Jim Stinson
Nonlinear audio empowers our soundtrack.
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October, 1999
by Loren Alldrin
What your viewers hear can be just as real as what they see.
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November, 1999
by Loren Alldrin
How to use music to mold your viewers' emotions.
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December, 1999
by Jim Stinson
By carefully matching picture and sound, you can make an otherwise boring video come alive.
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February, 2000
by Chuck Peters
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February, 2000
by Don Collins
With an audio mixer, you can (literally) raise the level of your productions. Check out our buyer's guide.
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May, 2000
by Jim Stinson
Attention to detail pays off in the end.
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June, 2000
by Bill Harrington
Make the most of your editing software's audio tracks.
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May, 2000
by Joe McCleskey
Improve your video's audio with new digital sources.
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October, 2000
by Wendy Nichols
Glossary of Editing Terms
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October, 2000
by Bill Davis
The secret ingredient that all the pros agree must be added to each of your video recipes if you want to cook up an outstanding program.
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December, 2000
by Jim Stinson
How to select, time, process and transition music in your videos.