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April, 2008
by Morgan Paar
From rough cut to finished product, you want to deliver the goods as cleanly as possible. Here are the Seven Steps to Creating an Excellent Polished Work.
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March, 2008
by Morgan Paar
It's a bird... it's a plane... it's ... the motivated edit? It's a powerful editing technique, but to execute it well, you must consider the final edit when…
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July, 2007
by Robert G. Nulph, Ph.D.
Whether it's shooting a wedding, baseball game, church service or two-person interview, shooting it with more than one camera can be a time-saving and very&hell…
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February, 2007
by Kyle Cassidy
Low cost camera tricks to create amazing illusions for your viewers.
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November, 2006
by Tony Bruno
Our media-soaked culture has made cinematic shorthand a second language.
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June, 2006
by Bill Davis
Sure, your editing program has 999 transitions--but nowhere in the licensing agreement did you oblige yourself to use each and every one of them.
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January, 2006
by Joe McCleskey
Gather 'round the family and friends for a multi-camera shoot and a fun time for all.
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January, 2005
by Dr. Robert G. Nulph
All the tricks and techniques of in-camera effects that take your ho-hum video from the ordinary to the brilliant with these savvy shooter's tips.
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November, 2004
by Bill Davis
The split edit is one of the simplest and most powerful edits you should have in your toolbox.
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August, 2004
by Garret C. Maynard
In order to call yourself a professional videographer you need equipment, clients and a good reputation.
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June, 2004
by Charles Fulton
Computer Video Editing Terms
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January, 2004
by Michael Fitzer
Shoot and edit your own transition effects.
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December, 2003
by Bill Davis
Understanding the hidden meanings of transition effects.
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September, 2003
by Dave Tainer
If your work will be viewed on the Internet, you need to shoot with compression in mind.
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July, 2003
by Brian Peterson
The world of transitions speaks a language we all understand--whether you realize it or not.
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January, 2003
by Jim Stinson
In-camera transitions are more effective, unique and fun than the sterile digital effects on your computer.
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December, 2002
by Brian Peterson
Cut the time you spend editing by trimming your clips before you import.
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December, 2002
by Charles Fulton
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May, 2002
by Chuck Peters
A short list of things to leave out of your videos.
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March, 2002
by Jim Stinson
Half a video director's job is picking the right camera angles. Here are five factors to help you position the camera effectively.
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January, 2008
by Morgan Paar
The Dissolve: A Winning Edit
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October, 2007
by Jennifer O'Rourke
Having Fun with Swish Pans
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December, 2005
by Bill Davis
And in the center ring: the amazing, the gigantic, the most impressive typography known to mankind... Ladies and Gentlemen! Feast your eyes on 3D titles!
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October, 2005
by George Furukawa
Whether you're making movies, or corporate videos, in a virtual production world, having the right video effects are nowadays as important as acquiring that Big Name actor once was.
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September, 2005
by Bill Davis
Tempis Fugit. If you're not up on conversational Latin, that's
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March, 2004
by Morgan Paar
For novice and intermediate editors, here are some tips to consider as you move towards editing perfection.
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March, 2003
by Bill Davis
Paying attention to the continuity can help you communicate clearly with your audience.
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February, 2002
by Scott Anderson
Today's powerful animation software can help you create dazzling animation productions.
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October, 1994
by William Ronat
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April, 1995
by Mark Bosko
Editing aesthetics are tough to describe. They involve using a little bit of everything at your disposal to create a believable viewing experience.