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June, 2006
by Bill Davis
Sure, your editing program has 999 transitions--but nowhere in the licensing agreement did you oblige yourself to use each and every one of them.
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April, 1999
by Jim Stinson
Continuity is the job of both the director and the editor.
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July, 2002
by Bill Davis
Ever been hypnotized? A well-edited movie does exactly that, and it's not a bad thing. It captures the imagination in a way that virtually takes over the brain.
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March, 2003
by Bill Davis
Paying attention to the continuity can help you communicate clearly with your audience.
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April, 2003
by Bill Davis
Gather round ye acolytes of seamless editing. Today's scroll concerns a subject near and dear to all who believe in the power of the smooth program.
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November, 2003
by Chuck Peters
Five tips to a simple film effect.