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Video Production

Putting your video production together.
  • July, 2008
    by Matthew York
    Footage
  • December, 2007
    by James Williams
    Now more than ever, it's possible for one person to venture into the world and capture great video. By following a few simple guidelines, you too can be an on-the-fly guerrilla filmmaker!
  • September, 2007
    by The Editors
    Computer Video Editing Terms
  • August, 2007
    by Jennifer O'Rourke
    Having the Best Video Shooting Fun with the Videomaker Editors!
  • September, 2006
    by Charles Fulton
  • January, 2006
    by Bruce Coykendall
    NewTek TriCaster Portable Live Production System
  • September, 2008
    In this DVD on video lighting, the experts at Videomaker teach lighting techniques so you can set up the best lighting environment for a video camera. Lessons on studio lighting & outdoor lighting will show you how to light videos like a professional videographer.
  • September, 2008
    by Tom Benford
    Without a doubt, you see chromakeys used countless times - probably every time you watch the news on TV - and perhaps you aren't even aware of it.
  • August, 2008
    by Hal Robertson
    When you need to sync many mic sources into your video or want to boost the audio you're already collecting, you might want to look at dual-system sound.
  • August, 2008
    by Kyle Cassidy
    People seem to forget that capturing events requires capturing video and audio. You need to balance the best way to capture video versus the best way to collect sound.
  • August, 2008
    by Robert G. Nulph, Ph.D.
    Someday, you may have to hire, beg, borrow or coerce some people to join you on your video adventure. Keep it friendly, stick with a plan and you - and they - will enjoy the trek.
  • July, 2008
    by Robert G. Nulph, Ph.D.
    You're ready with 3-point lighting or a soft-light and mood setting. But ... hum... what's missing? How about some red and blue on that dull white scene?
  • July, 2008
    by Jennifer O'Rourke
    Shooting great firework footage is more than pointing the camera into the sky. The less light you have, the harder it is to focus or capture an image that isn't underexposed or overly grainy. Throw in a fireworks scene that changes from dark to light within nanoseconds, and your camera will need a lot of help from its human counterpart. Let's start with the gear, then go to the technical, setup and finally the techniques.
  • June, 2008
    by Brian Peterson
    Dramatic Lighting without Fear (Or, How I Learned to Love the Dark)
  • May, 2008
    by Hal Robertson
    Unless you're sitting in the middle of a soundproof room, the sounds of distant traffic noise, construction and aircraft are everywhere.
  • May, 2008
    by Kyle Cassidy
    Lighting can be extremely complicated. Some movie and TV shoots use dozens of lights to assure proper scene lighting. Here's a primer to help dispel the mystery.
  • May, 2008
    by Robert G. Nulph, Ph.D
    Lighting a scene using everyday lamps realistically is a skill that earns Hollywood gaffers top dollars. Here are some tips to using practicals in your next video.
  • April, 2008
    by Hal Robertson
    Compression makes vocals easier to hear and volumes more consistent and brings out sounds that might get lost in a complicated mix.
  • April, 2008
    by Robert G. Nulph, Ph.D.
    Documentaries are about real people in real places doing real things. Documentaries were the first films ever made.
  • April, 2008
    by Brian Peterson
    Getting the Most Out of Your Actors or Subjects
  • March, 2008
    by Hal Robertson
    Voiceovers are the mainstays of advertising, instruction and promotional videos, television programs and feature films.
  • December, 2007
    by Jeanne Rawlings
    We treasure our memories, but we can be easily overwhelmed. Fearlessly dive into your archives and uncap your camera lens for the holidays to create a video that will stand the test of time.
  • November, 2007
    by Matthew York
    Video Sharing Surprise
  • October, 2007
    In this weeks episode of Tips & Tricks John talks about some techniques that are used to capture vast landscapes...in a small frame. John goes over the basics of how to capture different areas of the landscape, sky, and foreground in order to have a variety of shots to use in post production.
  • August, 2007
    by Robert G. Nulph, Ph.D
    Watching films is a classroom in itself, yet you really have to have the right tools to become a critical viewer.
  • August, 2007
    by Brian Schaller
    For aspiring video producers, it's always hard to find some interesting subject matter. Are you looking for an audience?
  • July, 2007
    by Robert G. Nulph, Ph.D.
    When you think about lighting, you probably think about your lights and where to place them. But what about the shadows?
  • June, 2007
    by Dr. Robert Nulph
    Even in blockbuster movies, continuity errors happen, and eagle-eyed viewers love to find the mistakes.
  • June, 2007
    by Jennifer O'Rourke
  • June, 2007
    by Jennifer O'Rourke
    Advice on how to make great family videos

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